Gardens -- England -- London; London (England) -- Description and travel; Parks -- England -- London
The Buckingham Palace Gardens show how much judicious planting can
do, and how much is lost in many of the parks as well as gardens by
not sufficiently considering the decorative value of plants. The old
landscape gardeners, in their desire to copy nature and depart from
all formality, forgot the horticultural part of their work in their
plans for the creation of landscapes. They had not studied the effects
which skilful planting will produce, and ignored flowers as a factor
in their scenery. They had not got the wealth of genera which the
twentieth century possesses, and of which, in many instances, full use
is made. But in a review of London Parks and Gardens, it is impossible
not to notice effects missed as well as success achieved. The immense
advance gardening has made of late years, and the knowledge and wide
range of plants, makes it easier to garden now than ever before. The
enormous number of trees and flowers now in cultivation leaves a good
choice to select from, even among those suitable for the fog-begrimed
gardens of London. The carpets of spring flowering bulbs, the masses of
brilliant rhododendrons, the groups of choice blossoming trees, which
so greatly beautify many of the parks and gardens, are all the result
of modern developments. Experience, too, has pointed out the mistakes
in landscape gardening, which is for the most part the style followed
in London, and it should be easy to avoid the errors of earlier
generations. In formal designing, also, the recent introductions and
modern taste in flowers should have a marked influence. In all the
parks and gardens, public and private, the chief aim should be to make
the best use of the existing material, to draw upon the vast resources
of horticulture, which have never been so great as at the present time,
and thus to maintain the position of superiority of London gardens
among the cities of the world.
APPENDIX TO PRIVATE GARDENS
CHARLTON
Public-domain text, read in full here on John Shaqi.
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