“His adoring slave,” she repeated, with her hands clasped above her uncovered head. Hateful, humiliating words! Yet there was a keen rapture in repeating them. They were true words. His slave—his slave to wait upon him in sickness and pain; to lie and watch at his door like a faithful dog; to follow him to the wars, and clean his armour, and hold his horse, and wait in his tent to receive him wounded, and heal his wounds where surgeons failed to cure, wanting that intensity of attention and understanding which love alone can give; to be his Bellario, asking nothing of him, hoping for nothing, hardly for kind words or common courtesy, foregoing woman’s claim upon man’s chivalry, content to be nothing—only to be near him. If such a life could have been—the life that poets have imagined for despairing love! It was less than a hundred years since handsome Mrs. Southwell followed Sir Robert Dudley to Italy, disguised as a page. But the age of romance was past. The modern world had only laughter for such dreams. That revelation of Hyacinth’s jealousy had brought matters to a crisis. Something must be done, Angela told herself, and quickly, to set her right with her sister, and in her own esteem. She had to choose between a loveless marriage and the Convent. By accepting one or the other she must prove that she was not the slave of a dishonourable love. Marriage or the Convent? It had been easy, contemplating the step from a distance, to choose the Convent. But when she thought of it, to-night, amid the exquisite beauty of these woods, with the moonlit valley lying at her feet, the winding streams reflecting that silvery light, or veiled in a pale haze—to-night, in the liberty and loveliness of the earth, the vision of Convent walls filled her with a shuddering horror. To be shut in that Flemish garden for ever; her life enclosed within the straight lines of that long green alley leading to a dead wall, darkened over by flowerless ivy. How witheringly dull the old life showed, looking back at it after years of freedom and enjoyment, action and variety. No, no, no! She could not bury herself alive, could not forego the liberty to wander in a wood like this, to gaze upon scenes as beautiful as yonder valley, to read the poets she loved, to see, perhaps, some day those romantic scenes which she knew but as dreams—Florence, Vallombrosa—to follow the footsteps of Milton, to see the Venice she had read of in Howell’s Letters, to kneel at the feet of the Holy Father, in the City of Cities. All these things would be for ever forbidden to her if she chose the common escape from earthly sorrow.