London's Heart: A NovelFarjeon, B. L. (Benjamin Leopold)
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London's Heart: A Novel
Farjeon, B. L. (Benjamin Leopold)
London (England) -- Fiction
"But it comes," insisted Felix, as if determined to deprive the kind
promptings of his nature of grace--"it comes, and that is enough. It
is an investment. I give away a penny, and receive the best of
interest. Pure selfishness, upon my word, as is every other action of
our lives. But apart from this, I don't believe that these men and
women are not in want."
"Ah, well," said the old man, looking in admiration at the animated
face of Felix; "it is better to trust than doubt. Suspicion ages the
heart, and robs life of bright colour."
Satisfied that he was spending his time profitably, Felix found life
very enjoyable. He did not trouble himself about the past; the world
was before him, and he was observing, and studying, and preparing
himself to open his oyster. His hotel was in the Strand, and he soon
became well acquainted with the phases of life presented in that
locality. The streets were so full of life, and there was so much to
see. The shops; the theatres; the conveyances the streams of people
flowing this way and that, a few smiling as they walked, some idling,
some talking eagerly to themselves, unconscious of the surging life
through which they make their way--each man perfectly engrossed in his
own personality, each a world, the secret ways of which were known
only to himself. He was soon quite familiar also with the singular
variety of street-shows which can there be seen daily. With the
broad-shouldered, frizzly-haired Italian with his monkeys, residents
of Short's-gardens, where probably the dumb brutes are not so tenderly
treated as strangers, who see them hugged to their master's breast as
he walks along, might suppose them to be. With another monkey also, a
poor little creature, who, being pulled this way and that by a chain
attached to its master's wrist, capers on the pavement (generally at
night) to the dismal moaning of an organ, upon whose grinder's face a
ghastly smile for ever sits, suggesting the idea that it must have
been carved upon his features in infancy. With the melancholy-looking,
straight-haired young man who plays operatic selections upon the spout
of a coffee-pot and through the nozzle of a bellows, and who selects
the widest of the side thoroughfares for his entertainment, seldom
commencing until a perfect ring of admirers and curiosity-mongers is
formed, and who, while his island is being made, stands with an air of
proud humility, as who should say, "I am the only and original player
upon the spout and nozzle in the kingdom; all others are counterfeit."
With the inconceivably-maniacal Swiss quartette, who shout and caper,
and produce hideous sounds from throat and windbag. With the Mongolian
impostor who sits upon a doorstep, uttering never a word, with a look
upon his face as of one suddenly stricken with fatal disease. With the
poor miserable woman, whose thought may soar upwards, but whose eyes
never see the sun, for her body is literally bent in two, who creeps
Public-domain text, read in full here on John Shaqi.
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