London's Heart: A NovelFarjeon, B. L. (Benjamin Leopold)
General
London's Heart: A Novel
Farjeon, B. L. (Benjamin Leopold)
London (England) -- Fiction
"Wasn't it kind of him," pursues Lizzie, "to take me down to Hampton
Court, to meet Alfred and you? He wouldn't let Alfred know beforehand,
he said, because he wanted to give him a pleasant surprise."
"Did Mr. Sheldrake know, then, that we were at Hampton Court?"
"Yes, dear; he wouldn't have taken me down else."
"How did he find out?" muses Lily, a little disquieted. "Alfred may
have mentioned it to him the day before, and yet he seemed surprised
to see us there."
"Riddle-me-riddle-me-ree," interrupts Lizzie gaily, to dispel the
cloud; adding, with a wise air, "you don't know men so well as I do,
my love."
She draws Lily into the garden, and touches a key-note to which she
knows Lily's nature will respond, to the exclusion of distressful
thought. She talks of Alfred and of her love for him; they sit in the
summer-house until Pollypod comes to them, and diverts them from their
theme.
"Lily," says Pollypod, "don't you wish Felix was here?" The colour
mounts to Lily's face, and to hide it Lily bends to Pollypod, and
caresses her.
"And who is Felix, Polly?" asks Lizzie.
"Felix is a gentleman; mother says there never _was_ any body as good
as him. He bought me my doll. I wish I had it with me. And we all love
him so--don't we, Lily? I love him, and mother loves him, and Lily
loves him, and Snap loves him."
"O!" says Lizzie; and that is all she says. But there is a great deal
of meaning in the little word, if any value can be attached to the
significant tone in which she utters it.
CHAPTER XXIX.
FELIX FINDS HIS OYSTER DIFFICULT TO OPEN.
The little word uttered by Lizzie in the concluding paragraph of the
previous chapter is like the dropping of the curtain for a time upon
the histories of the personages, good and bad, who are playing their
parts in this drama of every-day life. For if it in any way resembles
what it professes to be, the drama here presented should represent the
doings of the time in which it is written; in so far, of course, as
they enter into the ordinary life of the ordinary characters who are
introduced into it.
The autumn and winter have passed, and the beautiful buds herald the
yearly miracle of spring. Certain changes have taken place in the
circumstances and lives of the movers in our story, and of these
changes it is necessary here to make record.
Public-domain text, read in full here on John Shaqi.
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