Warwick Inn, 12 Lane, 11 Water carnival at Sadler’s Wells, 185 Welbeck, 151 Wentworth, Lord Thomas, 142 Wesley, John, 187 Westgate Street, Gloucester, 159, 178 Weston family, 143 White Bear, 48, 50 Hart Inn, 79 Lion, 83 Islington, 180 Whittington and his Cat, 178 Whistling Oyster, sign, 171 Wilberforce, William, 57 Williams, Mr., and the Royal Arms from old London Bridge, 137 Wilton House, 203 Wiltshire, Earl of, 217 Winchester, Marquis of, 227 Winchester Street. _See_ Great Winchester Street Winde, Captain William, 152 Winged Horse, the, 131 Winter’s-Low-Hut, 170 Woman’s Head, the, 14 Wooden Midshipman, sign, 157 Wren, Sir Christopher, 115, 131 Wright, Sir Nathan, 153 THE END. _Elliot Stock, Paternoster Row, London._ FOOTNOTES: [1] In November, 1892, this house was demolished. [2] Hatton’s ‘New View of London,’ 1708, vol. i., p. 59. [3] In later times there was a cross at the east end of the church of St. Michael-le-Querne, replaced by a water conduit, in the mayoralty of William Eastfield, A.D. 1429, as I learn from Stow. The site of this cross is considerably east of Panyer Alley. [4] Pye, _i.e._, parti-coloured, as in the bird. It is said to have been so called because the initial and principal letters of the rubrics were printed in red, and the rest in black. At the beginning of the Church of England Prayer-Book, in that section which relates to the service of the Church, mention is made of ‘the number and hardness of the rules called the Pie.’ Shakespeare, in the ‘Merry Wives of Windsor,’ says, ‘By cocke and pie you shall not choose, sir; you shall not choose, but come.’ In this asseveration cock is supposed to be a euphemism for God, and pie the above-named ordinal. [5] On the Holbein gateway at Whitehall there were also medallions of terra-cotta, as large or larger than life. [6] The Broad Face, Reading, is noticed by Pepys as an odd sign, when he visited the town on June 16, 1668. [7] In style it reminds one somewhat of the Guildhall giants, Gog and Magog, or, as Fairholt would call them, Corineus and Gogmagog. These appear to have been made in 1708, by Richard Saunders, a captain of trained bands and carver in King Street, Cheapside, to replace giants of pasteboard and wickerwork, which had been carried in City processions.