Inscriptions -- England -- London; London (England) -- Antiquities; Signs and signboards
an eccentric bivalve, which actually did produce a sort of whistling
sound; much custom for a time and many jokes resulting therefrom. In
an early volume of _Punch_ there is a fancy portrait of the whistling
oyster.
In the course of this work I have several times alluded to the
Guildhall Museum, beneath the Guildhall Library, which is not known as
it deserves. It contains not only sculptured signs, but a very valuable
collection of objects of artistic and antiquarian interest, most of
them from various parts of the city. The only drawbacks are that the
crypt or room in which they are placed, being half underground, is
very imperfectly lighted, and that the collection has not hitherto
been catalogued. This latter defect will, however, I understand, be
shortly remedied. Before descending let us glance at the statues
which flank the entrance to the Guildhall Library and Museum from
King Street. They are from the old College of Physicians in Warwick
Lane--one of Wren’s buildings--some remains of which still exist,
incorporated in the premises at the back of No. 1, Newgate Street.
These statues represent King Charles II. and Sir John Cutler, a
rich merchant whose avarice, handed down by Pope[79] and others, has
become immortal. It seems that in 1675 Sir John--a near relation of
Dr. Whistler, the president--expressed a wish to subscribe towards
the rebuilding of the College of Physicians, which had been destroyed
in the Great Fire, having previously stood at Amen Corner. When a
deputation attended to thank him, he renewed his promise, and specified
the part of the building for which he intended to pay. The theatre
accordingly bore on its front towards Warwick Lane the inscription,
‘Theatrum Cutlerianum.’ In the year 1680 statues in honour of the
king and the knight were voted by members of the college. A certain
amount of money must have been furnished, and some years afterwards
Cutler advanced them more; but after his death his executors, in 1699,
claimed the whole with interest, the money pretended to be given, and
that actually given, being alike set down as a loan in Cutler’s books.
The demand was compromised for £2,000. The statue remained, but the
college wisely obliterated the inscription which, in the warmth of its
gratitude, it had placed beneath the figure: ‘Omnis Cutleri cedat
labor amphitheatro.’ Pennant[80] is responsible for the above account,
perhaps overcoloured, which he gave on the authority of Dr. Richard
Warren. Strype speaks of Sir John as a great benefactor to the college;
he had no doubt given largely to the Grocers’ Company, of which he was
warden, and a portrait of him is in their possession.
Public-domain text, read in full here on John Shaqi.
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