Inscriptions -- England -- London; London (England) -- Antiquities; Signs and signboards
At the end of last century one might have had an almost rural walk
from the London Spa west to Bagnigge Wells, a more famous place of
entertainment. The way would have been along Exmouth Street, then
built on the south side only, and called Braynes Row; a relic of its
early days remains in the form of a tablet between Nos. 32 and 34,
which has inscribed on it ‘Braynes Buildings 1765.’ At the end of this
street was a turnpike, and at right angles to it was the Bagnigge
Wells Road, the lower portion of which had the suggestive name of
Coppice Row. North-west from the turnpike, it ran between fields as
far as a little group of houses called Brook Place, and then a few
more steps would have taken one to Bagnigge Wells,[88] within the
borders of St. Pancras. There was a tradition, unsupported, I believe,
by any evidence, that Nell Gwynne had here a place of summer abode,
‘pleasantly situated amid the Fields, and on the banks of the Fleet,’
then a clear stream flowing rapidly and somewhat subject to floods.
This was Bagnigge House, a gabled building, some trace of which still
remained as late as the year 1844. Inside, it had originally some
curious decorative features; over a chimney-piece in one of the rooms
were the Royal arms and other heraldic bearings, and between them ‘the
bust of a woman in Roman dress, let deep into a circular cavity of the
wall, bordered with festoons of delf earth in the natural colours and
glazed.’ These were afterwards removed from this position, and set
up in a long room built for assemblies and balls, which, formed the
eastern boundary of the garden. An aquatint print of the interior of
this room was published by J. R. Smith in 1772, after a painting by
Saunders. The place seems to have been opened for purposes of amusement
early in the eighteenth century; for in Beckham’s[89] curious work, the
‘Musical Entertainer’ (_circa_ 1738), is an engraving of Tom Hippersly
there, mounted in the ‘singing rostrum,’ regaling the company with a
song. The inevitable healing springs, which always, no doubt, made
their appearance when wanted, were, it would seem, a comparatively
late discovery, first introduced to the public by Dr. John Bevis,
who in 1760 wrote ‘An Experimental Enquiry concerning the Contents,
Quality and Medicinal Value of two Mineral Waters lately discovered at
Bagnigge Wells near London.’ One was supposed to be purging, and the
other chalybeate; he gives an elaborate account of each. About the year
1775 the place[90] was ‘The Sunday Ramble’ as ‘by no means barren of
amusement, and visited in the morning by hundreds of persons to drink
the water, and on summer afternoons by numerous tea-drinking parties.’
The writer tells of ‘beautiful walks ornamented with a great variety
of curious shrubs and flowers all in the utmost perfection,’ and ‘a
small round fish-pond, in the centre of which is a curious fountain
representing Cupid bestriding a swan, which spouts the water to a
Public-domain text, read in full here on John Shaqi.
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