London (England) -- Description and travel; London (England) -- History -- 1800-1950
’Hath a spell beyond
A name in story, and a long array
Of mighty shadows.’
To us Hampton Court is a type of the progress of the nation from slavery
to freedom, from darkness to light. Founded to gratify the pride and
self-indulgence of an arrogant and scheming priest, for more than three
centuries Hampton Court was the symbol of oppression on the one side,
and of subjection on the other. But Time, which works such strange
metamorphoses, has, since the last sixty years, transformed what was
once the exclusive appanage of kings into the playground of the plebs,
and what this change implies may well form a subject of study for
inquiring and philosophical minds. But such study must be based on a
knowledge of facts, an axiom we have kept in view in the compilation of
our topographical and historical notes on the origin, progress, and
final realization of the architectural, political, and social idea
embodied in the monumental pile we have so concisely attempted to
describe, so as to endow the contemplation thereof, in all its phases,
with an intelligent appreciation of the physical and ideal beauties,
together with their importance as an index of national advancement,
which invest with an undying charm the palace and gardens of Hampton
Court.[#]
[#] In Herefordshire, not far from Leominster, there is another Hampton
Court, a spacious mansion of monastic and castellated architecture,
having a fine chapel with open timber roof. It was built by Sir Rowland
Lenthall, Yeoman of the Robes to Henry IV., who distinguished himself at
the Battle of Agincourt.
THE END.
BILLING AND SONS, PRINTERS, GUILDFORD.
* * * * * * * *
*SIR WALTER BESANT’S BOOKS ON LONDON.*
Demy 8vo., cloth, with 125 Illustrations, 7s. 6d.
*LONDON.*
Demy 8vo., cloth, with 131 Illustrations, 7s. 6d.
*WESTMINSTER.*
Demy 8vo., cloth, gilt top, with 119 Illustrations, 18s.
*SOUTH LONDON.*
LONDON: CHATTO & WINDUS, 111 ST. MARTIN’S LANE, W.C.
Public-domain text, read in full here on John Shaqi.
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