Too busy! Yes, you work--you're not ten years older than you were last
autumn. You think it's hard work to rest on Sundays, don't you? Dear
Madame Henriksen! You and your little daughter knit stockings for the
whole family, you let your rooms, you keep your family together like a
mother. But you mustn't let your little Louise sit for twelve years on a
school form. If you do, you'll hardly ever see her all through her youth,
those formative years of her life. And then she can't be like you or learn
from you. She'll learn to have children easily enough, but she won't learn
to be a mother, and when the time comes for her to keep her home and
family together, she will not be able to do it. She'll only know
"languages" and mathematics and the story of Bluebeard, but that is not
food for the heart of a woman. That is twelve years of continual famine
for her soul.
"Excuse my asking, but where are you going to?"
"I don't know, but I'm going. Why, where should I go? I shall go aboard a
steamship and sail, and when I have sailed long enough, I will go ashore.
If I find, on looking about me, that I have traveled too far or not far
enough, I shall board a ship again and sail on. Once I walked across into
Sweden as far as Kalmar and even Öland, but that was too far, so I turned
back. No one cares to know where I am, least of all myself."
XXXVI
You get used to everything; you even get used to the passage of two years.
And now it is spring again....
It is market day in the frontier town; my room is noisy, for there is
music down in the fields, the roundabout is whirling, the tightrope walker
is gossiping outside his tent, and people of every sort throng the
village. The crowds are great, and there is even a sprinkling of
Norwegians from across the border. Horses snort and whinny, cows low, and
trading is brisk.
In the display window of the goldsmith across the road, a great cow of
silver has made its appearance, a handsome breeder that the local farmers
stop to admire.
"She's too smart for my crags," says one of them with a laugh.
"What do you think's her price?" says another with a laugh.
"Why, do you want to buy her?"
"No, haven't got fodder enough this year."
A man trudges placidly down the road and also stops in front of this
window. I see him from behind, and take note of his massive back. He
stands there a long time, trying to make up his mind, no doubt, for now
and then he scratches his beard. There he goes, sure enough, entering the
shop with a ponderous tread. I wonder if he intends to buy the silver cow!
It takes him an age, and still he hasn't come out. What on earth is he
doing in there? Now that I have begun to watch him, I might as well go the
whole hog. So I put on my hat and cross to the goldsmith's window myself,
mingling with the other spectators, and watching the door.
Public-domain text, read in full here on John Shaqi.
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