We walked on down the street, each busy with his own thoughts--or perhaps
with the same thought. I, at least, was furious.
"Really, my good Nikolai, I have no desire to buy
tickets in order to look at Mr. Flaten and his ladies!"
"No."
Curious idea of hers, inviting this man to watch her dance. It was
preposterous, but like her. Last summer, too--did she not like a third
party within hearing whenever she sailed close to the wind? A thought
struck me, and I asked the carpenter as calmly as I could:
"Did Miss Torsen want me to sit in the gallery, too--did she say anything
about that?"
"No," he replied.
"Didn't she say anything about me?"
"No."
"You're lying," I thought, "and I daresay she's told you to lie!" I was
highly incensed, but I could not squeeze the truth out of the carpenter.
Cars rolled up behind us and stopped at the _Krone_. Nikolai turned
and wanted to go back, but when he saw that I kept straight on, he
hesitated a moment and then followed me. I heard him once sighing heavily.
We strolled the streets for an hour, while I cooled off and made myself
agreeable to my companion again. We had a glass of beer together, then
went to a cinema, and afterward to a shooting gallery. Finally we went to
a skittle ground, where we stayed for some time. Nikolai was the first to
want to leave; he looked at his watch, and was suddenly in a tearing
hurry. He was hardly even willing to finish the game.
We had to pass the _Krone_ again. The cars had gone.
"Just as I thought," said the carpenter, looking very disappointed. I
believe he would have liked to be present when the party came out to enter
their cars. He looked up and down the empty street and repeated, "Just as
I thought!" He was suddenly anxious to go home.
"No, let's go inside," I said.
* * * * *
It was a big, handsome hall with a platform for the orchestra, and a
throng of people on the great floor. We sat in the gallery looking on.
There was a very mixed crowd: seamen, artisans, hotel staff, shop
assistants, casual workers; the ladies were apparently seamstresses,
servant girls, and shopgirls, with a sprinkling of light-footed damsels
who had no daytime occupation. The floor was crowded with dancers. In
addition to a constable whose duty it was to intervene if necessity arose,
the establishment had its own commissionaire, who walked about the hall
with a stick, keeping an eye on the assembled company. As soon as a dance
was finished, the gentlemen all crowded to the platform and paid ten
_öre_. If anyone seemed to be trying to cheat, the commissionaire
would tap him politely on the arm with his stick. Gentlemen who had to be
tapped many times were regarded as suspicious characters, and might, as a
last resource, even be expelled. Order was admirably maintained.
Public-domain text, read in full here on John Shaqi.
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