Lord Arthur Savile's Crime; The Portrait of Mr. W.H., and Other StoriesWilde, Oscar
General
Lord Arthur Savile's Crime; The Portrait of Mr. W.H., and Other Stories
Wilde, Oscar
Manners and customs -- Fiction; Short stories, English
said, but I said terrible things to her. Finally I rushed out of the
house. She wrote me a letter the next day; I sent it back unopened, and
started for Norway with Alan Colville. After a month I came back, and
the first thing I saw in the _Morning Post_ was the death of Lady Alroy.
She had caught a chill at the Opera, and had died in five days of
congestion of the lungs. I shut myself up and saw no one. I had loved
her so much, I had loved her so madly. Good God! how I had loved that
woman!’
‘You went to the street, to the house in it?’ I said.
‘Yes,’ he answered.
‘One day I went to Cumnor Street. I could not help it; I was tortured
with doubt. I knocked at the door, and a respectable-looking woman
opened it to me. I asked her if she had any rooms to let. “Well, sir,”
she replied, “the drawing-rooms are supposed to be let; but I have not
seen the lady for three months, and as rent is owing on them, you can
have them.”—“Is this the lady?” I said, showing the photograph. “That’s
her, sure enough,” she exclaimed; “and when is she coming back,
sir?”—“The lady is dead,” I replied. “Oh sir, I hope not!” said the
woman; “she was my best lodger. She paid me three guineas a week merely
to sit in my drawing-rooms now and then.” “She met some one here?” I
said; but the woman assured me that it was not so, that she always came
alone, and saw no one. “What on earth did she do here?” I cried. “She
simply sat in the drawing-room, sir, reading books, and sometimes had
tea,” the woman answered. I did not know what to say, so I gave her a
sovereign and went away. Now, what do you think it all meant? You don’t
believe the woman was telling the truth?’
‘I do.’
‘Then why did Lady Alroy go there?’
‘My dear Gerald,’ I answered, ‘Lady Alroy was simply a woman with a mania
for mystery. She took these rooms for the pleasure of going there with
her veil down, and imagining she was a heroine. She had a passion for
secrecy, but she herself was merely a Sphinx without a secret.’
‘Do you really think so?’
‘I am sure of it,’ I replied.
He took out the morocco case, opened it, and looked at the photograph.
‘I wonder?’ he said at last.
THE MODEL MILLIONAIRE
A NOTE OF ADMIRATION
Public-domain text, read in full here on John Shaqi.
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