Lord Arthur Savile's Crime; The Portrait of Mr. W.H., and Other StoriesWilde, Oscar
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Lord Arthur Savile's Crime; The Portrait of Mr. W.H., and Other Stories
Wilde, Oscar
Manners and customs -- Fiction; Short stories, English
‘Don’t run away, Hughie,’ he said, as he went out, ‘I will be back in a
moment.’
The old beggar-man took advantage of Trevor’s absence to rest for a
moment on a wooden bench that was behind him. He looked so forlorn and
wretched that Hughie could not help pitying him, and felt in his pockets
to see what money he had. All he could find was a sovereign and some
coppers. ‘Poor old fellow,’ he thought to himself, ‘he wants it more
than I do, but it means no hansoms for a fortnight’; and he walked across
the studio and slipped the sovereign into the beggar’s hand.
The old man started, and a faint smile flitted across his withered lips.
‘Thank you, sir,’ he said, ‘thank you.’
Then Trevor arrived, and Hughie took his leave, blushing a little at what
he had done. He spent the day with Laura, got a charming scolding for
his extravagance, and had to walk home.
That night he strolled into the Palette Club about eleven o’clock, and
found Trevor sitting by himself in the smoking-room drinking hock and
seltzer.
‘Well, Alan, did you get the picture finished all right?’ he said, as he
lit his cigarette.
‘Finished and framed, my boy!’ answered Trevor; ‘and, by the bye, you
have made a conquest. That old model you saw is quite devoted to you. I
had to tell him all about you—who you are, where you live, what your
income is, what prospects you have—’
‘My dear Alan,’ cried Hughie, ‘I shall probably find him waiting for me
when I go home. But of course you are only joking. Poor old wretch! I
wish I could do something for him. I think it is dreadful that any one
should be so miserable. I have got heaps of old clothes at home—do you
think he would care for any of them? Why, his rags were falling to
bits.’
‘But he looks splendid in them,’ said Trevor. ‘I wouldn’t paint him in a
frock coat for anything. What you call rags I call romance. What seems
poverty to you is picturesqueness to me. However, I’ll tell him of your
offer.’
‘Alan,’ said Hughie seriously, ‘you painters are a heartless lot.’
‘An artist’s heart is his head,’ replied Trevor; ‘and besides, our
business is to realise the world as we see it, not to reform it as we
know it. _À chacun son métier_. And now tell me how Laura is. The old
model was quite interested in her.’
‘You don’t mean to say you talked to him about her?’ said Hughie.
‘Certainly I did. He knows all about the relentless colonel, the lovely
Laura, and the £10,000.’
‘You told that old beggar all my private affairs?’ cried Hughie, looking
very red and angry.
‘My dear boy,’ said Trevor, smiling, ‘that old beggar, as you call him,
is one of the richest men in Europe. He could buy all London to-morrow
without overdrawing his account. He has a house in every capital, dines
off gold plate, and can prevent Russia going to war when he chooses.’
‘What on earth do you mean?’ exclaimed Hughie.
Public-domain text, read in full here on John Shaqi.
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