To make the dinner as confidential as might be, the only guests besides
Atlee were a couple of yachting Englishmen, a German Professor of
Archæology, and the American Minister, who, of course, speaking no language
but his own, could always be escaped from by a digression into French,
German, or Italian.
Atlee felt, as he entered the drawing-room, that the company was what he
irreverently called afterwards, a scratch team; and with an almost equal
quickness, he saw that he himself was the ‘personage’ of the entertainment,
the ‘man of mark’ of the party.
The same tact which enabled him to perceive all this, made him especially
guarded in all he said, so that his host’s efforts to unveil his intentions
and learn what he had come for were complete failures. ‘Greece was a
charming country--Greece was the parent of any civilisation we boasted.
She gave us those ideas of architecture with which we raised that glorious
temple at Kensington, and that taste for sculpture which we exhibited near
Apsley House. Aristophanes gave us our comic drama, and only the defaults
of our language made it difficult to show why the member for Cork did not
more often recall Demosthenes.’
As for insolvency, it was a very gentlemanlike failing; while brigandage
was only what Sheil used to euphemise as ‘the wild justice’ of noble
spirits, too impatient for the sluggard steps of slow redress, and too
proud not to be self-reliant.
Thus excusing and extenuating wherein he could not flatter, Atlee talked on
the entire evening, till he sent the two Englishmen home heartily sick of a
bombastic eulogy on the land where a pilot had run their cutter on a rock,
and a revenue officer had seized all their tobacco. The German had retired
early, and the Yankee hastened to his lodgings to ‘jot down’ all the fine
things he could commit to his next despatch home, and overwhelm Mr. Seward
with an array of historic celebrities such as had never been seen at
Washington.
‘They’re gone at last,’ said the Minister. ‘Let us have our cigar on the
terrace.’
Public-domain text, read in full here on John Shaqi.
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