The little chapel in the house below was scarcely more dignified than
the other rooms. Of ornaments, except those absolutely essential to
liturgy and devotion, there were none. In the plaster of the walls were
indented in slight relief the fourteen stations of the Cross; a small
stone image of the Mother of God stood in a corner, with an iron-work
candlestick before it, and on the solid uncarved stone altar, raised on
a stone step, stood six more iron candlesticks and an iron crucifix. A
tabernacle, also of iron, shrouded by linen curtains, stood beneath the
cross; a small stone slab projecting from the wall served as a credence.
There was but one window, and this looked into the court, so that the
eyes of strangers might not penetrate.
It seemed to the Syrian priest as he went about his business--laying out
the vestments in the little sacristy that opened out at one side of the
altar, preparing the cruets and stripping the covering from the
altar-cloth--that even that slight work was wearying. There seemed a
certain oppression in the air. As to how far that was the result of his
broken rest he did not know, but he feared that it was one more of those
scirocco days that threatened. That yellowish tinge of dawn had not
passed with the sun-rising; even now, as he went noiselessly on his bare
feet between the predella and the _prie-dieu_ where the silent white
figure was still motionless, he caught now and again, above the roof
across the tiny court, a glimpse of that faint sand-tinged sky that was
the promise of beat and heaviness.
He finished at last, lighted the candles, genuflected, and stood with
bowed head waiting for the Holy Father to rise from His knees. A
servant’s footstep sounded in the court, coming across to hear mass, and
simultaneously the Pope rose and went towards the sacristy, where the
red vestments of God who came by fire were laid ready for the Sacrifice.
* * * * *
Public-domain text, read in full here on John Shaqi.
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