A great space was cleared about the altar and confession, extending, as
he could see at least on his side, to the point that marked the entrance
to the transepts; at this point ran rails straight across from side to
side, continuing the lines of the nave. Beyond this red-hung barrier lay
a gradual slope of faces, white and motionless; a glimmer of steel
bounded it, and above, a third of the distance down the transept, rose
in solemn serried array a line of canopies. These were of scarlet, like
cardinalitial baldachini, but upon the upright surface of each burned
gigantic coats supported by beasts and topped by crowns. Under each was
a figure or two--no more--in splendid isolation, and through the
interspaces between the thrones showed again a misty slope of faces.
His heart quickened as he saw it--as he swept his eyes round and across
to the right and saw as in a mirror the replica of the left in the right
transept. It was there then that they sat--those lonely survivors of
that strange company of persons who, till half-a-century ago, had
reigned as God’s temporal Vicegerents with the consent of their
subjects. They were unrecognised, now, save by Him from whom they drew
their sovereignty--pinnacles clustering and hanging from a dome, from
which the walls had been withdrawn. These were men and women who had
learned at last that power comes from above, and their title to rule
came not from their subjects but from the Supreme Ruler of
all--shepherds without sheep, captains without soldiers to command. It
was piteous--horribly piteous, yet inspiring. The act of faith was so
sublime; and Percy’s heart quickened as he understood it. These, then,
men and women like himself, were not ashamed to appeal from man to God,
to assume insignia which the world regarded as playthings, but which to
them were emblems of supernatural commission. Was there not mirrored
here, he asked himself, some far-off shadow of One Who rode on the colt
of an ass amid the sneers of the great and the enthusiasm of
children?...
* * * * *
Public-domain text, read in full here on John Shaqi.
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