’ ...I am not in the least alarmed,’ the writer concluded, ‘by the violence of the replies to the letter which you were good enough to insert a week ago. I know well that many of those who are expressing with so much heat and indignation their disagreement with my views have themselves on many occasions during the present Parliament been loud in their condemnation of the apathy and irresolution of the Opposition and of the fatal influence exercised by one or two of those who surround the leader. It is because of my belief that the maintenance of the Constitution and the existence of a strong, resolute, intelligent and active Tory party are inseparably connected with each other that I have referred to the incidents of the past with the object of averting grave disaster in the future. If that object is even approached by my letters to you, I am only too happy to bear the brunt of a little temporary effervescence and to be the scapegoat on which doomed mediocrities may lay the burden of their exposed incapacity....’ Mr. Chenery was very doubtful about this letter and urged Lord Randolph not to publish it. ‘You have produced,’ he wrote, ‘a great effect by the first letter, which this, in my opinion, would only undo.’ But Lord Randolph persisted and the letter was printed. On April 19 Sir Stafford Northcote unveiled the Beaconsfield statue. Lord Randolph wrote for the _Fortnightly Review_ of May a reflective description of this event. He called the article, from which various quotations have already been made, ‘Elijah’s Mantle.’ He cannot claim in any special degree the gift of letters. In private he wrote exactly as he would have spoken to his friends. His public writings were for the most part speeches set forth on paper. But ‘Elijah’s Mantle’ shows a higher degree of literary excellence than any other record he has left behind him. In its picturesque presentment, in its well-chosen words, in the lucidity and force of the argument, it proved not unworthy of the almost universal attention which the personality of the writer drew upon it from the political world.