Lords and Lovers, and Other DramasDargan, Olive Tilford
General
Lords and Lovers, and Other Dramas
Dargan, Olive Tilford
American drama -- 20th century
_Kore._ Damn your principle! It will put us all into hell!
_Adr._ The princess may be able to do something for her. She----
_Kore._ You still believe in that spy? [_Adrian is silent. Korelenko
looks at him_] Forgive me. You love her. No! If you knew what love is
you would help me!
_Adr._ [_Going to him as he reaches the door_] Wait. I do know. I love
her even as you love Vera, and I swear to you that if she stood in
Vera's place my answer would be the same.
_Kore._ [_Abstractedly_] You love her. [_Starts suddenly away_]
_Adr._ You will stay now, Sasha?
_Kore._ Now? No. There is something to do now.
[_Exit_]
_Adr._ Light, light, O my God!
[_Door opens, right centre, and a woman appears_]
_Woman._ Can you come to Catherine Vetrova now, sir?
[_Adrian bows his head and follows her out. Vasil, who has been
sitting behind the little table rear, at times listening eagerly,
at times overcome, rises and moves slowly forward, carrying his
violin_]
_Vasil._ [_Repeats softly_] "As impersonal as the universe."
[_Strikes two or three notes on the violin and stops, terrified. Dashes
the instrument down and throws himself to the floor, sobbing_] O, Vera!
Vera! Vera!
[_Curtain_]
SCENE 2. _The same. Vasil still lying on the floor. Adrian enters
right, crosses and attempts to rouse him._
_Adr._ You must go to bed, my son. There is nothing for you to do.
_Vasil._ [_Rising_] Nothing for me to do? Why am I in the world then?
_Adr._ To be our light--our song--to find our angels for us.
_Vasil._ [_Looking down at his violin_] It is broken.
_Adr._ [_Picking it up_] You will mend it.
_Vasil._ And the heart too? [_Goes to table, left front, and sits by
it, despondent and thoughtful_] We were wrong to-day, Adrian. I was
wrong. No one has a right to happiness while others are suffering
because of things that are in the _power of man_ to help. The _good_
people who forget what is out of sight, as if misery--or duty--were a
question of eyes and ears, they are the most to blame. [_Rises_] If
they would all help--just all of the good. [_Goes to door, rear, and
stands a moment looking out_] The princess dances at the ball to-night.
_Adr._ My boy!
_Vasil._ [_Coming back to Adrian_] But they will not all help--not yet.
Perhaps the world of peace must come before the world of love, not out
of it ... as war has come before peace. The law of Moses was once the
best law. His race saved itself by it. Has the day of its necessity
passed, Adrian? Are we sure?
_Adr._ It has passed for the man.
_Vasil._ But humanity is so far behind the man.
_Adr._ [_Gently_] That is what made Christ.
_Vasil._ And that is what killed him!
[_Enter a priest, street door_]
_Priest._ Blessed be this house.
_Adr._ Welcome, father.
_Priest._ Is death here?
_Adr._ Yes, father. [_Crosses to right and opens door for priest to
enter_] You have many visits to make to-night.
Public-domain text, read in full here on John Shaqi.
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