When the wild justice of the crowd had sacrificed their victims, and their passions had had time to calm in some degree, a decree of the Signoria, May 23, promulgated by the Gonfaloniere Giacomo degli Alessandri and the priors, disclosed the penal sentence against the Pazzi.[234] The name and coat-of-arms of the family should cease to exist; the localities distinguished by the former should be changed, and the latter should be erased from all houses and churches; new names and new insignia to be introduced into the register of the rebels, and everyone punished who should even pronounce the old name. The property of the family was confiscated. Whoever should marry into it should be excluded from public offices. The old ceremony of the Colombina should cease in respect to the family. Thus ran the sentence. Many of its provisions were never carried out on account of their exaggeration, and others only too well. The arms of the Pazzi—two dolphins in a field covered with crosses—are still seen on many houses in the Borgo degli Albizzi and elsewhere, which still partly belong to the family; the name has remained with the beautiful chapel in the cloisters of Sta. Croce; and the intersection of the streets at the Palazzo Quaratesi, which once belonged to Messer Jacopo de’ Pazzi, is still popularly termed the Palazzo della Congiura. But a considerable part of their possessions fell into strange hands—this same palace, for instance, and the villa of Montughi, which will be spoken of later.[235] Another decree of the Signoria ordained, according to the custom in such cases, that the sharers in the conspiracy should be painted on the wall of the tower of the Podestà, as hanged men with their heads downwards.[236] On the other hand, life-size statues of Lorenzo, with the head and hands of wax, in his usual dress and strikingly resembling him, was set up in SS. Annunziata and the convent church in Via San Gallo, as well as in the Madonna degli Angeli below Assisi. Andrea del Verrocchio furnished the drawing for the figures, which were executed by a clever sculptor in wax called Orsini. The figure in Via San Gallo was attired in the robes which Lorenzo had worn when he appeared in his wounded state before the crowd.[237]