France -- Social life and customs -- 19th century -- Fiction
Mme. de Bargeton, enthralled, dazzled, and fascinated by her cousin's
manner, wit, and acquaintances, had suddenly declared herself a votary
of the idol of the day. She had discerned the signs of the occult
power exerted by the ambitious great lady, and told herself that she
could gain her end as the satellite of this star, so she had been
outspoken in her admiration. The Marquise was not insensible to the
artlessly admitted conquest. She took an interest in her cousin,
seeing that she was weak and poor; she was, besides, not indisposed to
take a pupil with whom to found a school, and asked nothing better
than to have a sort of lady-in-waiting in Mme. de Bargeton, a
dependent who would sing her praises, a treasure even more scarce
among Parisian women than a staunch and loyal critic among the
literary tribe. The flutter of curiosity in the house was too marked
to be ignored, however, and Mme. d'Espard politely endeavored to turn
her cousin's mind from the truth.
"If any one comes to our box," she said, "perhaps we may discover the
cause to which we owe the honor of the interest that these ladies are
taking----"
"I have a strong suspicion that it is my old velvet gown and
Angoumoisin air which Parisian ladies find amusing," Mme. de Bargeton
answered, laughing.
"No, it is not you; it is something that I cannot explain," she added,
turning to the poet, and, as she looked at him for the first time, it
seemed to strike her that he was singularly dressed.
"There is M. du Chatelet," exclaimed Lucien at that moment, and he
pointed a finger towards Mme. de Serizy's box, which the renovated
beau had just entered.
Mme. de Bargeton bit her lips with chagrin as she saw that gesture,
and saw besides the Marquise's ill-suppressed smile of contemptuous
astonishment. "Where does the young man come from?" her look said, and
Louise felt humbled through her love, one of the sharpest of all pangs
for a Frenchwoman, a mortification for which she cannot forgive her
lover.
In these circles where trifles are of such importance, a gesture or a
word at the outset is enough to ruin a newcomer. It is the principal
merit of fine manners and the highest breeding that they produce the
effect of a harmonious whole, in which every element is so blended
that nothing is startling or obtrusive. Even those who break the laws
of this science, either through ignorance or carried away by some
impulse, must comprehend that it is with social intercourse as with
music, a single discordant note is a complete negation of the art
itself, for the harmony exists only when all its conditions are
observed down to the least particular.
"Who is that gentleman?" asked Mme. d'Espard, looking towards
Chatelet. "And have you made Mme. de Serizy's acquaintance already?"
"Oh! is that the famous Mme. de Serizy who has had so many adventures
and yet goes everywhere?"
Public-domain text, read in full here on John Shaqi.
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