France -- Social life and customs -- 19th century -- Fiction
Other works of art were pinned in the cheap sea-green wall-paper.
These consisted of nine pen-and-ink illustrations for _Le Solitaire_.
The work had attained to such an unheard-of European popularity, that
journalists evidently were tired of it.--"The Solitary makes his first
appearance in the provinces; sensation among the women.--The Solitary
perused at a chateau.--Effect of the Solitary on domestic animals.
--The Solitary explained to savage tribes, with the most brilliant
results.--The Solitary translated into Chinese and presented by the
author to the Emperor at Pekin.--The Mont Sauvage, Rape of Elodie."
--(Lucien though this caricature very shocking, but he could not help
laughing at it.)--"The Solitary under a canopy conducted in triumphal
procession by the newspapers.--The Solitary breaks the press to
splinters, and wounds the printers.--Read backwards, the superior
beauties of the Solitary produce a sensation at the Academie."--On a
newspaper-wrapper Lucien noticed a sketch of a contributor holding out
his hat, and beneath it the words, "Finot! my hundred francs," and a
name, since grown more notorious than famous.
Between the window and the chimney-piece stood a writing-table, a
mahogany armchair, and a waste-paper basket on a strip of hearth-rug;
the dust lay thick on all these objects. There were short curtains in
the windows. About a score of new books lay on the writing-table,
deposited there apparently during the day, together with prints,
music, snuff-boxes of the "Charter" pattern, a copy of the ninth
edition of _Le Solitaire_ (the great joke of the moment), and some ten
unopened letters.
Lucien had taken stock of this strange furniture, and made reflections
of the most exhaustive kind upon it, when, the clock striking five, he
returned to question the pensioner. Coloquinte had finished his crust,
and was waiting with the patience of a commissionaire, for the man of
medals, who perhaps was taking an airing on the boulevard.
At this conjuncture the rustle of a dress sounded on the stair, and
the light unmistakable footstep of a woman on the threshold. The
newcomer was passably pretty. She addressed herself to Lucien.
"Sir," she said, "I know why you cry up Mlle. Virginie's hats so much;
and I have come to put down my name for a year's subscription in the
first place; but tell me your conditions----"
"I am not connected with the paper, madame."
"Oh!"
"A subscription dating from October?" inquired the pensioner.
"What does the lady want to know?" asked the veteran, reappearing on
the scene.
The fair milliner and the retired military man were soon deep in
converse; and when Lucien, beginning to lose patience, came back to
the first room, he heard the conclusion of the matter.
Public-domain text, read in full here on John Shaqi.
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