But the poetry of this terrible mart appeared in all its splendor at the close of the day. Women of the town, flocking in and out from the neighboring streets, were allowed to make a promenade of the Wooden Galleries. Thither came prostitutes from every quarter of Paris to "do the Palais." The Stone Galleries belonged to privileged houses, which paid for the right of exposing women dressed like princesses under such and such an arch, or in the corresponding space of garden; but the Wooden Galleries were the common ground of women of the streets. This was _the_ Palais, a word which used to signify the temple of prostitution. A woman might come and go, taking away her prey whithersoever seemed good to her. So great was the crowd attracted thither at night by the women, that it was impossible to move except at a slow pace, as in a procession or at a masked ball. Nobody objected to the slowness; it facilitated examination. The women dressed in a way that is never seen nowadays. The bodices cut extremely low both back and front; the fantastical head-dresses, designed to attract notice; here a cap from the Pays de Caux, and there a Spanish mantilla; the hair crimped and curled like a poodle's, or smoothed down in bandeaux over the forehead; the close-fitting white stockings and limbs, revealed it would not be easy to say how, but always at the right moment--all this poetry of vice has fled. The license of question and reply, the public cynicism in keeping with the haunt, is now unknown even at masquerades or the famous public balls. It was an appalling, gay scene. The dazzling white flesh of the women's necks and shoulders stood out in magnificent contrast against the men's almost invariably sombre costumes. The murmur of voices, the hum of the crowd, could be heard even in the middle of the garden as a sort of droning bass, interspersed with _fioriture_ of shrill laughter or clamor of some rare dispute. You saw gentlemen and celebrities cheek by jowl with gallows-birds. There was something indescribably piquant about the anomalous assemblage; the most insensible of men felt its charm, so much so, that, until the very last moment, Paris came hither to walk up and down on the wooden planks laid over the cellars where men were at work on the new buildings; and when the squalid wooden erections were finally taken down, great and unanimous regret was felt. Ladvocat the bookseller had opened a shop but a few days since in the angle formed by the central passage which crossed the galleries; and immediately opposite another bookseller, now forgotten, Dauriat, a bold and youthful pioneer, who opened up the paths in which his rival was to shine. Dauriat's shop stood in the row which gave upon the garden; Ladvocat's, on the opposite side, looked out upon the court. Dauriat's establishment was divided into two parts; his shop was simply a great trade warehouse, and the second room was his private office.