France -- Social life and customs -- 19th century -- Fiction
"That is not my affair," said Dauriat, looking daggers at this
handsome young fellow, who was smiling pleasantly at him. "I do not
publish books for amusement, nor risk two thousand francs for the sake
of seeing my money back again. I speculate in literature, and publish
forty volumes of ten thousand copies each, just as Panckouke does and
the Baudoins. With my influence and the articles which I secure, I can
push a business of a hundred thousand crowns, instead of a single
volume involving a couple of thousand francs. It is just as much
trouble to bring out a new name and to induce the public to take up an
author and his book, as to make a success with the _Theatres etrangers_,
_Victoires et Conquetes_, or _Memoires sur la Revolution_, books that
bring in a fortune. I am not here as a stepping-stone to future fame,
but to make money, and to find it for men with distinguished names.
The manuscripts for which I give a hundred thousand francs pay me
better than work by an unknown author who asks six hundred. If I am
not exactly a Maecenas, I deserve the gratitude of literature; I have
doubled the prices of manuscripts. I am giving you this explanation
because you are a friend of Lousteau's my boy," added Dauriat,
clapping Lucien on the shoulder with odious familiarity. "If I were to
talk to all the authors who have a mind that I should be their
publisher, I should have to shut up shop; I should pass my time very
agreeably no doubt, but the conversations would cost too much. I am
not rich enough yet to listen to all the monologues of self-conceit.
Nobody does, except in classical tragedies on the stage."
The terrible Dauriat's gorgeous raiment seemed in the provincial
poet's eyes to add force to the man's remorseless logic.
"What is it about?" he continued, addressing Lucien's protector.
"It is a volume of magnificent poetry."
At that word, Dauriat turned to Gabusson with a gesture worthy of
Talma.
"Gabusson, my friend," he said, "from this day forward, when anybody
begins to talk of works in manuscript here--Do you hear that, all of
you?" he broke in upon himself; and three assistants at once emerged
from among the piles of books at the sound of their employer's
wrathful voice. "If anybody comes here with manuscripts," he
continued, looking at the finger-nails of a well-kept hand, "ask him
whether it is poetry or prose; and if he says poetry, show him the
door at once. Verses mean reverses in the booktrade."
"Bravo! well put, Dauriat," cried the chorus of journalists.
Public-domain text, read in full here on John Shaqi.
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