France -- Social life and customs -- 19th century -- Fiction
The lights in the great chandelier were extinguished; there was no one
left in the house except the boxkeepers, busy taking away footstools
and shutting doors, the noises echoing strangely through the empty
theatre. The footlights, blown out as one candle, sent up a fetid reek
of smoke. The curtain rose again, a lantern was lowered from the
ceiling, and firemen and stage carpenters departed on their rounds.
The fairy scenes of the stage, the rows of fair faces in the boxes,
the dazzling lights, the magical illusion of new scenery and costume
had all disappeared, and dismal darkness, emptiness, and cold reigned
in their stead. It was hideous. Lucien sat on in bewilderment.
"Well! are you coming, my boy?" Lousteau's voice called from the
stage. "Jump down."
Lucien sprang over. He scarcely recognized Florine and Coralie in
their ordinary quilted paletots and cloaks, with their faces hidden by
hats and thick black veils. Two butterflies returned to the chrysalis
stage could not be more completely transformed.
"Will you honor me by giving me your arm?" Coralie asked tremulously.
"With pleasure," said Lucien. He could feel the beating of her heart
throbbing against his like some snared bird as she nestled closely to
his side, with something of the delight of a cat that rubs herself
against her master with eager silken caresses.
"So we are supping together!" she said.
The party of four found two cabs waiting for them at the door in the
Rue des Fosses-du-Temple. Coralie drew Lucien to one of the two, in
which Camusot and his father-in-law old Cardot were seated already.
She offered du Bruel a fifth place, and the manager drove off with
Florine, Matifat, and Lousteau.
"These hackney cabs are abominable things," said Coralie.
"Why don't you have a carriage?" returned du Bruel.
"_Why_?" she asked pettishly. "I do not like to tell you before M.
Cardot's face; for he trained his son-in-law, no doubt. Would you
believe it, little and old as he is, M. Cardot only gives Florine five
hundred francs a month, just about enough to pay for her rent and her
grub and her clothes. The old Marquis de Rochegude offered me a
brougham two months ago, and he has six hundred thousand francs a
year, but I am an artist and not a common hussy."
"You shall have a carriage the day after to-morrow, miss," said
Camusot benignly; "you never asked me for one."
"As if one _asked_ for such a thing as that? What! you love a woman and
let her paddle about in the mud at the risk of breaking her legs?
Nobody but a knight of the yardstick likes to see a draggled skirt
hem."
Public-domain text, read in full here on John Shaqi.
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