France -- Social life and customs -- 19th century -- Fiction
"The buck of the Empire," he wrote, "is invariably long, slender, and
well preserved. He wears a corset and the Cross of the Legion of
Honor. His name was originally Potelet, or something very like it; but
to stand well with the Court, he conferred a _du_ upon himself, and
_du_ Potelet he is until another revolution. A baron of the Empire, a
man of two ends, as his name (_Potelet_, a post) implies, he is paying
his court to the Faubourg Saint-Germain, after a youth gloriously and
usefully spent as the agreeable trainbearer of a sister of the man
whom decency forbids me to mention by name. Du Potelet has forgotten
that he was once in waiting upon Her Imperial Highness; but he still
sings the songs composed for the benefactress who took such a tender
interest in his career," and so forth and so forth. It was a tissue of
personalities, silly enough for the most part, such as they used to
write in those days. Other papers, and notably the _Figaro_, have
brought the art to a curious perfection since. Lousteau compared the
Baron to a heron, and introduced Mme. de Bargeton, to whom he was
paying his court, as a cuttlefish bone, a burlesque absurdity which
amused readers who knew neither of the personages. A tale of the loves
of the Heron, who tried in vain to swallow the Cuttlefish bone, which
broke into three pieces when he dropped it, was irresistibly
ludicrous. Everybody remembers the sensation which the pleasantry made
in the Faubourg Saint-Germain; it was the first of a series of similar
articles, and was one of the thousand and one causes which provoked
the rigorous press legislation of Charles X.
An hour later, Blondet, Lousteau, and Lucien came back to the
drawing-room, where the other guests were chatting. The Duke was there
and the Minister, the four women, the three merchants, the manager,
and Finot. A printer's devil, with a paper cap on his head, was
waiting even then for copy.
"The men are just going off, if I have nothing to take them," he said.
"Stay a bit, here are ten francs, and tell them to wait," said Finot.
"If I give them the money, sir, they would take to tippleography, and
good-night to the newspaper."
"That boy's common-sense is appalling to me," remarked Finot; and the
Minister was in the middle of a prediction of a brilliant future for
the urchin, when the three came in. Blondet read aloud an extremely
clever article against the Romantics; Lousteau's paragraph drew
laughter, and by the Duc de Rhetore's advice an indirect eulogium of
Mme. d'Espard was slipped in, lest the whole Faubourg Saint-Germain
should take offence.
"What have _you_ written?" asked Finot, turning to Lucien.
And Lucien read, quaking for fear, but the room rang with applause
when he finished; the actresses embraced the neophyte; and the two
merchants, following suit, half choked the breath out of him. There
were tears in du Bruel's eyes as he grasped his critic's hand, and the
manager invited him to dinner.
Public-domain text, read in full here on John Shaqi.
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