France -- Social life and customs -- 19th century -- Fiction
Lucien on his way down saw a march past of _claqueurs_ and retailers of
tickets. It was an ill smelling squad, attired in caps, seedy
trousers, and threadbare overcoats; a flock of gallows-birds with
bluish and greenish tints in their faces, neglected beards, and a
strange mixture of savagery and subservience in their eyes. A horrible
population lives and swarms upon the Paris boulevards; selling watch
guards and brass jewelry in the streets by day, applauding under the
chandeliers of the theatre at night, and ready to lend themselves to
any dirty business in the great city.
"Behold the Romans!" laughed Lousteau; "behold fame incarnate for
actresses and dramatic authors. It is no prettier than our own when
you come to look at it close."
"It is difficult to keep illusions on any subject in Paris," answered
Lucien as they turned in at his door. "There is a tax upon everything
--everything has its price, and anything can be made to order--even
success."
Thirty guests were assembled that evening in Coralie's rooms, her
dining room would not hold more. Lucien had asked Dauriat and the
manager of the Panorama-Dramatique, Matifat and Florine, Camusot,
Lousteau, Finot, Nathan, Hector Merlin and Mme. du Val-Noble, Felicien
Vernou, Blondet, Vignon, Philippe Bridau, Mariette, Giroudeau, Cardot
and Florentine, and Bixiou. He had also asked all his friends of the
Rue des Quatre-Vents. Tullia the dancer, who was not unkind, said
gossip, to du Bruel, had come without her duke. The proprietors of the
newspapers, for whom most of the journalists wrote, were also of the
party.
At eight o'clock, when the lights of the candles in the chandeliers
shone over the furniture, the hangings, and the flowers, the rooms
wore the festal air that gives to Parisian luxury the appearance of a
dream; and Lucien felt indefinable stirrings of hope and gratified
vanity and pleasure at the thought that he was the master of the
house. But how and by whom the magic wand had been waved he no longer
sought to remember. Florine and Coralie, dressed with the fanciful
extravagance and magnificent artistic effect of the stage, smiled on
the poet like two fairies at the gates of the Palace of Dreams. And
Lucien was almost in a dream.
His life had been changed so suddenly during the last few months; he
had gone so swiftly from the depths of penury to the last extreme of
luxury, that at moments he felt as uncomfortable as a dreaming man who
knows that he is asleep. And yet, he looked round at the fair reality
about him with a confidence to which envious minds might have given
the name of fatuity.
Public-domain text, read in full here on John Shaqi.
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