France -- Social life and customs -- 19th century -- Fiction
A second-hand bookseller on the ground floor, a second-hand
clothes-dealer on the first story, and a seller of indecent prints on
the second, Samanon carried on a fourth business--he was a
money-lender into the bargain. No character in Hoffmann's romances, no
sinister-brooding miser of Scott's, can compare with this freak of
human and Parisian nature (always admitting that Samanon was human).
In spite of himself, Lucien shuddered at the sight of the dried-up
little old creature, whose bones seemed to be cutting a leather skin,
spotted with all sorts of little green and yellow patches, like a
portrait by Titian or Veronese when you look at it closely. One of
Samanon's eyes was fixed and glassy, the other lively and bright; he
seemed to keep that dead eye for the bill-discounting part of his
profession, and the other for the trade in the pornographic
curiosities upstairs. A few stray white hairs escaping from under a
small, sleek, rusty black wig, stood erect above a sallow forehead
with a suggestion of menace about it; a hollow trench in either cheek
defined the outline of the jaws; while a set of projecting teeth,
still white, seemed to stretch the skin of the lips with the effect
of an equine yawn. The contrast between the ill-assorted eyes and
grinning mouth gave Samanon a passably ferocious air; and the very
bristles on the man's chin looked stiff and sharp as pins.
Nor was there the slightest sign about him of any desire to redeem a
sinister appearance by attention to the toilet; his threadbare jacket
was all but dropping to pieces; a cravat, which had once been black,
was frayed by contact with a stubble chin, and left on exhibition a
throat as wrinkled as a turkey-gobbler's.
This was the individual whom Etienne and Lucien discovered in his
filthy counting-house, busily affixing tickets to the backs of a
parcel of books from a recent sale. In a glance, the friends exchanged
the innumerable questions raised by the existence of such a creature;
then they presented Gabusson's introduction and Fendant and Cavalier's
bills. Samanon was still reading the note when a third comer entered,
the wearer of a short jacket, which seemed in the dimly-lighted shop
to be cut out of a piece of zinc roofing, so solid was it by reason of
alloy with all kinds of foreign matter. Oddly attired as he was, the
man was an artist of no small intellectual power, and ten years later
he was destined to assist in the inauguration of the great but
ill-founded Saint-Simonian system.
"I want my coat, my black trousers, and satin waistcoat," said this
person, pressing a numbered ticket on Samanon's attention. Samanon
touched the brass button of a bell-pull, and a woman came down from
some upper region, a Normande apparently, to judge by her rich, fresh
complexion.
Public-domain text, read in full here on John Shaqi.
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