France -- Social life and customs -- 19th century -- Fiction
Mme. and Mlle. du Brossard were not the least interesting persons in
the clique, but their story may be told in a single phrase--they were
as poor as they were noble. In their dress there was just that tinge
of pretension which betrayed carefully hidden penury. The daughter, a
big, heavy young woman of seven-and-twenty, was supposed to be a good
performer on the piano, and her mother praised her in season and out
of season in the clumsiest way. No eligible man had any taste which
Camille did not share on her mother's authoritative statement. Mme. du
Brossard, in her anxiety to establish her child, was capable of saying
that her dear Camille liked nothing so much as a roving life from one
garrison to another; and before the evening was out, that she was sure
her dear Camille liked a quiet country farmhouse existence of all
things. Mother and daughter had the pinched sub-acid dignity
characteristic of those who have learned by experience the exact value
of expressions of sympathy; they belonged to a class which the world
delights to pity; they had been the objects of the benevolent interest
of egoism; they had sounded the empty void beneath the consoling
formulas with which the world ministers to the necessities of the
unfortunate.
M. de Severac was fifty-nine years old, and a childless widower.
Mother and daughter listened, therefore, with devout admiration to all
that he told them about his silkworm nurseries.
"My daughter has always been fond of animals," said the mother. "And
as women are especially interested in the silk which the little
creatures produce, I shall ask permission to go over to Severac, so
that my Camille may see how the silk is spun. My Camille is so
intelligent, she will grasp anything that you tell her in a moment.
Did she not understand one day the inverse ratio of the squares of
distances!"
This was the remark that brought the conversation between Mme. du
Brossard and M. de Severac to a glorious close after Lucien's reading
that night.
Public-domain text, read in full here on John Shaqi.
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