Lost in the Jungle; Narrated for Young PeopleDu Chaillu, Paul B. (Paul Belloni)
General
Lost in the Jungle; Narrated for Young People
Du Chaillu, Paul B. (Paul Belloni)
Africa, West -- Description and travel; Africa, West -- Description and travel -- Juvenile literature
Ilogo is believed by the people to be a spirit living in the moon--a
mighty spirit, who looks down upon the inhabitants of the earth--a
spirit to whom the black man can talk. "Yes," they said, "Ilogo's face
can be seen; look at it." Then they pointed out to me the spots on the
moon which we can see with our naked eye. These spots were the
indistinct features of the spirit.
One fine evening, at full moon (for, to consult Ilogo, the moon must be
full, or nearly so), the women of the village assembled in front of the
king's house. Clustered close together, and seated on the ground, with
their faces turned toward the moon, they sang songs. They were
surrounded by the men of the village. I shall not soon forget that wild
scene. The sky was clear and beautiful; the moon shone in its
brightness, eclipsing by its light that of the stars, except those of
the first magnitude; the air was calm and serene, and the shadows of the
tall trees upon the earth appeared like queer phantoms.
[Illustration: THE SONGS TO ILOGO.]
The songs of the women were to and in praise of Ilogo, the spirit that
lived in ogouayli (the moon). Presently a woman seated herself in the
centre of the circle of singers and began a solo, gazing steadfastly at
the moon, the people every now and then singing in chorus with her. She
was to be inspired by the spirit Ilogo to utter prophecies.
At last she gave up singing, for she could not get into a trance. Then
another woman took her place, in the midst of the most vociferous
singing that could be done by human lips. After a while the second woman
gave place to a third--a little woman, wiry and nervous. She seated
herself like the others, and looked steadily at the moon, crying out
that she could see Ilogo, and then the singing redoubled in fury. The
excitement of the people had at that time become very great; the drums
beat furiously, the drummers using all their strength, until covered
with perspiration; the outsiders shouted madly, and seemed to be almost
out of their senses, for their faces were wrinkled in nervous
excitement, their eyes perfectly wild, and the contortions they made
with their bodies indescribable.
The excitement was now intense, and the noise horrible. The songs to
Ilogo were not for a moment discontinued, but the pitch of their voices
was so great and so hoarse that the words at last seemed to come with
difficulty. The medium, the women, and the men all sang with one accord:
"Ilogo, we ask thee,
Tell who has bewitched the king!
Ilogo, we ask thee,
What shall we do to cure the king?
The forests are thine, Ilogo!
The rivers are thine, Ilogo!
The moon is thine!
O moon! O moon! O moon!
Thou art the home of Ilogo!
Shall the king die? O Ilogo!
O Ilogo! O moon! O moon!"
Public-domain text, read in full here on John Shaqi.
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