Lost in the Jungle; Narrated for Young PeopleDu Chaillu, Paul B. (Paul Belloni)
General
Lost in the Jungle; Narrated for Young People
Du Chaillu, Paul B. (Paul Belloni)
Africa, West -- Description and travel; Africa, West -- Description and travel -- Juvenile literature
Then he continued, beating his kendo from time to time, "You, the
spirit, have come to see Olenda; you, the spirit, have put your feet
where none like you have ever been. You are welcome."
Here the old king's son, also a very old negro, with white wool on his
head, handed over to the king two slaves, which his majesty formally
presented to me, together with three goats, twenty bunches of plantains,
twenty fowls, five baskets of ground-nuts, and several bunches of
sugar-cane.
"This," said he, "is to salute you. Whatever else you want, tell me. I
am the king of this country; I am older than any tree you see around
you."
I replied that slaves I did not want, but the food and other presents I
would take.
Then more of the old man's children came, all old, and wrinkled, and
white-headed men. They stood before me, regarding me with wonder and
awe, while the people, of whom thousands were gathered from all the
villages of the plain, had returned while their old king was speaking to
me. They looked on in silence, and expressed their surprise in whispers.
At last the old king turned to his people and said, "I have seen many
things in my life--many wonderful things; but now I am ready to die, for
I have received the moguizi spirit, from whom we receive all things. It
will always be said in our nation, by those coming after us, that in the
time of Olenda the spirit first appeared and dwelt among us. You are
welcome (turning to me). Keep this spirit well (to his people); he will
do us good."
I was amazed; my eyes could not keep away from Olenda. I knew not that
men could become so old.
Then Olenda began to beat his kendo again, invoking the spirits of his
ancestors to be with him and his, and, with big body bent double, and
supported by his cane, he returned to his hut, ejaculating "_Ma-mo_,
_ma-mo_, _ma-mo_!"
The kendo is the symbol of royalty in most of the tribes of this part of
the interior of Africa. It is a rude bell of iron, furnished with a long
handle, also of iron, and of the same piece, as shown in the engraving.
The sound, which at home announces the vicinity of a herd of cows or
sheep, in Africa precedes the advent of the sovereign, who uses the
kendo only when on visits of state or on business of importance. When
not beating it they wear it on the shoulder. The bell may vary from six
to eight inches in length, and the handle from twelve to fifteen inches.
When they wear the kendo they fill it with a skin, generally of an
oshengui, which contains monda, or charms, to keep away the aniemba.
A nice little hut was given to me, and I was soon safely housed in it.
One of the chickens given to me by Olenda was killed, and a soup made
with it. It was excellent, and did me good.
CHAPTER XXIV.
THEY ALL COME TO SEE ME.--THEY SAY I HAVE AN EVIL EYE.--ASHIRA
VILLAGES.--OLENDA GIVES A GREAT BALL IN MY
HONOR.--BEER-HOUSES.--GOATS COMING OUT OF A MOUNTAIN ALIVE.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account