Lost Man's Lane: A Second Episode in the Life of Amelia ButterworthGreen, Anna Katharine
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Lost Man's Lane: A Second Episode in the Life of Amelia Butterworth
Green, Anna Katharine
Detective and mystery stories; New York (State) -- Fiction
"I will take you at your word," said I. "The keys, my dear. I am going
to visit a haunted room for the first time in my life."
I do not think she was deceived by this feigned ebullition. Perhaps it
was too much out of keeping with my ordinary manner, but she gave no
sign of surprise and rose in her turn with an air suggestive of relief.
"Excuse me, if I precede you," she begged. "I will meet you at the head
of the corridor with the keys."
I was in hopes she would be long enough in obtaining them to allow me to
stroll along the front hall to the opening into the corridor I was so
anxious to enter. But the spryness I showed, seemed to have a
corresponding effect upon her, for she almost flew down the passageway
before me and was back at my side before I could take a step in the
coveted direction.
"These will take you into any room on the first floor," said she. "You
will meet with dust and Lucetta's abhorrence, spiders, but for these I
shall make no apologies. Girls who cannot provide comforts for the few
rooms they utilize, cannot be expected to keep in order the large and
disused apartments of a former generation."
"I hate dirt and despise spiders," was my dry retort, "but I am willing
to brave both for the pleasure of satisfying my love for the antique."
At which she handed me the keys, with a calm smile which was not without
its element of sadness.
"I will be here on your return," she said, leaning over the banisters to
speak to me as I took my first steps down. "I shall want to hear whether
you are repaid for your trouble."
I thanked her and proceeded on my way, somewhat doubtful whether by so
doing I was making the best possible use of my opportunities.
XVII
THE FLOWER PARLOR
The lower hall did not correspond exactly with the one above. It was
larger, and through its connection with the front door, presented the
shape of a letter T--that is, to the superficial observer who was not
acquainted with the size of the house and had not had the opportunity of
remarking that at the extremities of the upper hall making this T, were
two imposing doors usually found shut except at meal-times, when the
left-hand one was thrown open, disclosing a long and dismal corridor
similar to the ones above. Half-way down this corridor was the
dining-room, into which I had now been taken three times.
The right-hand one, I had no doubt, led the way into the great
drawing-room or dancing-hall which I had started out to see.
Proceeding first to the front of the house, where some glimmer of light
penetrated from the open sitting-room door, I looked the keys over and
read what was written on the several tags attached to them. They were
seven in number, and bore some such names as these: "Blue Chamber,"
"Library," "Flower Parlor," "Shell Cabinet," "Dark Parlor"--all of which
was very suggestive, and, to an antiquarian like myself, most alluring.
Public-domain text, read in full here on John Shaqi.
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