Lost Man's Lane: A Second Episode in the Life of Amelia ButterworthGreen, Anna Katharine
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Lost Man's Lane: A Second Episode in the Life of Amelia Butterworth
Green, Anna Katharine
Detective and mystery stories; New York (State) -- Fiction
The result was disappointing. Mouldy walls, worm-eaten hangings, two
very ancient and quaint fireplaces, met my eyes, and nothing more. The
room was absolutely empty. For a few minutes I allowed my eyes to roam
over the great rectangular space in which so much that was curious and
interesting had once taken place, and then, with a vague sense of
defeat, turned my eyes outward, anxious to see what view could be
obtained from the window I had opened. To my astonishment, I saw before
me a high wall with here and there a window in it, all tightly barred
and closed, till by a careful inspection about me I realized that I was
looking upon the other wing of the building, and that between these
wings extended a court so narrow and long that it gave to the building
the shape, as I have before said, of the letter U. A dreary prospect,
reminding one of the view from a prison, but it had its point of
interest, for in the court below me, the brick pavement of which was
half obliterated by grass, I caught sight of William in an attitude so
different from any I had hitherto seen him assume that I found it
difficult to account for it till I caught sight of the jaws of a dog
protruding from under his arms, and then I realized he was hugging
Saracen.
The dog was tied, but the comfort which William seemed to take in just
this physical contact with his rough skin was something worth seeing. It
made me quite thoughtful for a moment.
I detest dogs, and it gives me a creepy sensation to see them fondled,
but sincerity of feeling appeals to me, and no one could watch William
Knollys with his dogs without seeing that he really loved the brutes.
Thus in one day I had witnessed the best and worst side of this man. But
wait! Had I seen the worst? I was not so sure that I had.
He had not noticed my peering, for which I was duly thankful, and after
another fruitless survey of the windows in the wall before me, I drew
back and prepared to leave the place. This was by no means a pleasant
undertaking. I could now see what I had only felt before, and to
traverse the space before me amid beetles and spiders required a
determination of no ordinary nature. I was glad when I reached the great
doors and more than glad when they closed behind me.
"So much for Room A," thought I.
The next most promising apartment was in the same corridor as the
dining-room. It was called the Dark Parlor. Entering it, I found it dark
indeed, but not because of lack of light, but because its hangings were
all of a dismal red and its furniture of the blackest ebony. As this
mainly consisted of shelves and cabinets placed against three of its
four walls, the effect was gloomy indeed, and fully accounted for the
name which the room had received. I lingered in it, however, longer than
I had in the big drawing-room, chiefly because the shelves contained
books.
Public-domain text, read in full here on John Shaqi.
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