Scarcely breathing, I entered the house. It was a one-story hovel of
two rooms. I searched them both. The house was unoccupied. Then I
returned to the door and examined the remaining hinge. To my delight I
discovered that I could easily remove the door, and this I did.
I looked up and down the street. There was no one in sight. Lifting the
door, I crossed to the wall and leaned the door against it.
Again I searched the street with my eyes. All was clear.
Cautiously I crawled up the door. From its top, precariously gained,
I could reach the top of the wall. Then I threw caution to the winds,
drew myself up, and dropped to the ground on the opposite side. I could
not take the chance of remaining even for an instant on the summit of
the wall in plain view of the palace windows on one side and the street
on the other.
I recalled the vicious kazars that Skor kept at his castle, and I
prayed that he kept none here. But no kazar attacked me, nor did any
evidence suggest that my entry had been noted.
Before me loomed the palace, dark and forbidding even though some
lights shone within it. The courtyard was flagged, and as barren as
that of the castle in the wood.
* * * * *
Crossing quickly to the building I walked along it seeking an entrance.
It was three stories high. I saw at least two towers. Many of the
windows were barred, but not all. Behind one of those barred windows,
perhaps, was Nalte. The task before me was to discover which.
I dared not go to the front of the palace lest I be questioned by the
guard. Presently I discovered a small door; it was the only door on
this side of the building, but it was securely locked. Carrying my
investigation further, I came to an open window. The room beyond was
unlighted. I listened but heard no sound; then I vaulted quietly to the
sill and dropped within. At last I was inside the palace of the jong of
Morov.
Crossing the room, I found a door on the opposite side; and when I drew
it open I saw a dimly lighted corridor beyond. And with the opening of
the door sounds from the interior of the palace reached my ears.
The corridor was deserted as I stepped into it and made my way in the
direction of the sounds I had heard. At a turning I came to a broader
and better lighted corridor, but here dead men and women passed to and
fro. Some were carrying dishes laden with food in one direction, others
were bearing empty dishes in the opposite direction.
I knew that I risked detection and exposure, but I also knew that it
was a risk I must take sooner or later. As well now, I thought, as
any time. I noticed that these corpses were painted in the semblance
of life and health; only their eyes and their shuffling gait revealed
the truth. My eyes I could not change, but I kept them lowered as I
shuffled into the corridor behind a man carrying a large platter of
food.
Public-domain text, read in full here on John Shaqi.
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