Lothair was glad to observe that, though in refined society, none were present with whom he had any previous acquaintance, for he had an instinctive feeling that if Hugo Bohun had been there, or Bertram, or the Duke of Brecon, or any ladies with whom he was familiarly acquainted, he would scarcely have been able to avail himself of the society of Theodora with the perfect freedom which he now enjoyed. They would all have been asking who she was, where she came from, how long Lothair had known her, all those questions, kind and neighborly, which under such circumstances occur. He was in a distinguished circle, but one different from that in which he lived. He sat next to Theodora, and Mr. Phoebus constantly hovered about them, ever doing something very graceful, or saying something very bright. Then he would whisper a word to the great Clorinda, who flashed intelligence from her celebrated eyes, and then he made a suggestion to the aesthetical Lady Beatrice, who immediately fell into enthusiasm and eloquence, and took the opportunity of displaying her celebrated hands. The time had now arrived when they were to repair to the studio and view the picture. A curtain was over it, and then a silken rope across the chamber, and then some chairs. The subject of the picture was Hero and Leander, chosen by the heir of all the Russias himself, during a late visit to England. “A fascinating subject,” said old Cecrops to Mr. Phoebus, “but not a very original one.” “The originality of a subject is in its treatment,” was the reply. The theme, in the present instance, was certainly not conventionally treated. When the curtain was withdrawn, they beheld a figure of life-like size, exhibiting in undisguised completeness the perfection of the female form, and yet the painter had so skilfully availed himself of the shadowy and mystic hour, and of some gauze-like drapery, which veiled without concealing his design, that the chastest eye might gaze on his heroine with impunity. The splendor of her upstretched arms held high the beacon-light, which thew a glare upon the sublime anxiety of her countenance, while all the tumult of the Hellespont, the waves, the scudding sky, the opposite shore revealed by a blood-red flash, were touched by the hand of a master who had never failed. The applause was a genuine verdict, and the company after a time began to disperse about the house and gardens. A small circle remained, and, passing the silken rope, approached and narrowly scrutinized the picture. Among these were Theodora and Lothair, the chief patron of British art, an R. A. or two, Clorinda, and Lady Beatrice. Mr. Phoebus, who left the studio but had now returned, did not disturb them. After a while he approached the group. His air was elate, and was redeemed only from arrogance by the intellect of his brow. The circle started a little as they heard his voice, for they had been unaware of his presence.