“Her grace tells me,” said Theodora, “that Colonel Campian wishes me to
give a recitation. I cannot believe that such a performance can ever be
generally interesting, especially in a foreign language, and I confess
that I would rather not exhibit. But I do not like to be churlish when
all are so amiable and compliant, and her grace tells me that it cannot
well be postponed, for this is the last quiet night we shall have. What
I want is a screen, and I must be a moment alone, before I venture on
these enterprises. I require it to create the ideal presence.”
Lothair and Bertram arranged the screen, the duchess and Lady St.
Aldegonde glided about, and tranquilly intimated what was going to
occur, so that, without effort, there was in a moment complete silence
and general expectation. Almost unnoticed Mrs. Campian had disappeared,
whispering a word as she passed to the eminent conductor, who was
still seated at the piano. The company had almost unconsciously grouped
themselves in the form of a theatre, the gentlemen generally standing
behind the ladies who were seated. There were some bars of solemn music,
and then, to an audience not less nervous than herself, Theodora came
forward as Electra in that beautiful appeal to Clytemnestra, where she
veils her mother’s guilt even while she intimates her more than terrible
suspicion of its existence, and makes one last desperate appeal of
pathetic duty in order to save her parent and her fated house:
“O amata madre,
Che fai? Non credo io, no, che ardente fiamma
Il cor ti avvampi.”
The ineffable grace of her action, simple without redundancy, her
exquisite elocution, her deep yet controlled passion, and the magic of
a voice thrilling even in a whisper—this form of Phidias with the genius
of Sophocles—entirely enraptured a fastidious audience. When she ceased,
there was an outburst of profound and unaffected appreciation; and Lord
St. Aldegonde, who had listened in a sort of ecstasy, rushed forward,
with a countenance as serious as the theme, to offer his thanks and
express his admiration.
And then they gathered round her—all these charming women and some of
these admiring men—as she would have resumed her seat, and entreated her
once more—only once more—to favor them. She caught the adoring glance of
the lord of the Towers, and her eyes seemed to inquire what she should
do. “There will be many strangers here to-morrow,” said Lothair, “and
next week all the world. This is a delight only for the initiated,” and
he entreated her to gratify them.
“It shall be Alfieri’s ode to America, then,” said Theodora, “if you
please.”
“She is a Roman, I believe,” said Lady St. Jerome to his eminence, “but
not, alas! a child of the Church. Indeed, I fear her views generally are
advanced,” and she shook her head.
“At present,” said the cardinal, “this roof and this visit may influence
her. I should like to see such powers engaged in the cause of God.”
Public-domain text, read in full here on John Shaqi.
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