Guided by Catesby, and leaning on a staff, Lothair gained a gorgeous
side chapel in which mass was celebrating; the air was rich with
incense, and all heaven seemed to open in the ministrations of a
seraphic choir. Crushed by his great calamities, both physical and
moral, Lothair sometimes felt that he could now be content if the rest
of his life could flow away amid this celestial fragrance and these
gushing sounds of heavenly melody. And absorbed in these feelings it was
not immediately observed by him that on the altar, behind the dazzling
blaze of tapers, was a picture of the Virgin, and identically the same
countenance as that he had recognized with emotion in the drawing of
Raffaelle.
It revived perplexing memories which agitated him, thoughts on which
it seemed his brain had not now strength enough to dwell, and yet with
which it now seemed inevitable for him to grapple. The congregation
was not very numerous, and, when it broke up, several of them lingered
behind and whispered to the monsignore, and then, after a little time,
Catesby approached Lothair and said: “There are some here who would
wish to kiss your hand, or even touch the hem of your garments. It is
troublesome, but natural, considering all that has occurred and that
this is the first time, perhaps, that they have met any one who has been
so favored.”
“Favored!” said Lothair; “Am I favored? It seems to me I am the most
forlorn of men—if even I am that.”
“Hush!” said the monsignore, “we must not talk of these things at
present;” and he motioned to some, who approached and contemplated
Lothair with blended curiosity and reverence.
These visits of Lothair to the beautiful church of the Jesuits became
of daily occurrence, and often happened several times on the same
day; indeed they formed the only incident which seemed to break his
listlessness. He became interested in the change and variety of the
services, in the persons and characters of the officiating priests. The
soft manners of these fathers, their intelligence in the performance of
their offices, their obliging carriage, and the unaffected concern
with which all he said or did seemed to inspire them, won upon him
unconsciously. The church had become his world; and his sympathies, if
he still had sympathies, seemed confined to those within its walls.
In the mean time his physical advancement though slow was gradual and
had hitherto never been arrested. He could even walk a little alone,
though artificially supported, and ramble about the halls and galleries
full of a prodigious quantity of pictures, from the days of Raffael
Sanzio to those of Raffael Mengs.
Public-domain text, read in full here on John Shaqi.
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