As to her education, the movements of the dance are taught very early, and the flexible little limbs are rendered more flexible by a system of massage. In all ways the natural grace of the child is cultivated and developed, but always along lines which lead far away from the freedom and innocence of childhood. As it is important she should learn a great deal of poetry, she is taught to read (and with this object in view she is sometimes sent to the mission school, if there is one near her home). The poetry is almost entirely of a debased character; and so most insidiously, by story and allusion, the child's mind is familiarised with sin; and before she knows how to refuse the evil and choose the good, the instinct which would have been her guide is tampered with and perverted, till the poor little mind, thus bewildered and deceived, is incapable of choice. CHAPTER XXIX "Very Common in those Parts" "The dark enigma of permitted wrong."--F. R. H. THE mixture of secrecy and openness described by the Temple woman is confirmed by Hindus well acquainted with Temple affairs. "All the Temple women are married to the gods. In former times the marriages were conducted upon a grand scale, but now they are clandestinely performed in the Temple, with the connivance of the priest, and with freedom to deny it if questioned. Some ceremonies are performed in the Temple, the rest at home. Sometimes the marriage symbol is blessed by the priest, and taken home to the child to be worn by her. In all these cases the priest himself has to tie it round her neck. The previous arrangements for the marriage are made by the priests with the guardians of the child who is to be initiated into the order of Temple women. "The ceremony of tying on the marriage symbol is never in our district performed in public. None but intimate friends know about it. There is a secret understanding between the priests and the Temple women concerned. When the time arrives for the marriage symbol to be tied on, after the usual ceremonies the priest hands over the symbol hidden in a garland of flowers. "Of course, there is music on the occasion. When outsiders ask what all the noise is about, the people who know do not say the real thing. They say it is a birthday or other festival day. The symbol is tied on when the child is between five and eleven, after which it is considered unholy to perform the marriage ceremony. The symbol is at first hidden from the gaze of the public. Later it is shown publicly, but not while the girl is still young." This tallies exactly with our own experience. More than once an eager child in her simplicity has shown me the marriage symbol, a small gold ornament tied round her neck, or hanging on a fine gold chain; but the Temple woman in whose charge she was has always reproved her sharply, and made her cover it up under her other jewels, or under the folds of her dress.