Those who possess that friend of our youth, _Alice_, as illustrated by Sir John Tenniel, may find the photograph twice reproduced of our fat Cheshire Cat. This baby is remarkable for two things: she smiles and she vanishes. The time to see the vanishing conducted with more celerity than Alice ever saw it, is when the babies' warning call is sounded across the verandah and a visitor appears in the too near horizon. This baby then vanishes round the nearest corner. There is nothing left of her, not even a smile. In fact, the chief contrast between her and the cat among the foliage is that with our Cat the smile goes first. Sunday morning, to return to the beginning, is full of possible misadventure. Sometimes the babies seem to agree among themselves that it would be well to be good. Then their admiring Sittie and Ammal have nothing to do but enjoy them. But sometimes it is otherwise. First one baby pulls her sister's hair, and the other retaliates, till the two get entangled in each other's curls. Piria Sittie flies to the rescue, disentangles the combatants and persuades them to make friends. Meanwhile three restless spirits in bodies to match have crept out through the open door (it is too hot if we shut the doors), and we find them comfortably ensconced in forbidden places. The Beetle is a quiet child. She retires to a corner and looks devout. Presently a sound as of scraping draws our attention to her. "Beetle! Open your mouth!" Beetle opens her mouth. It is packed with whitewash off the wall. Then a scared cry rings through the nursery, and all the babies, imagining awful things imminent, tumble one on top of the other in a wild rush into refuge. It is only a large grasshopper which has startled the Cheshire Cat, whose great eyes are always on the look-out for possible causes of panic. The grasshopper is banished to the garden and the Cheshire Cat smiles all over her face. Peace restored, Dimples and the Owlet remember a dead lizard they found in a corner of the verandah, and set off to recover it. These two walk exactly like mechanical toys; and as they strut along hand in hand, or one after the other, they look like something wound up and going, in a Christmas shop window. Presently they return with the lizard. Its tail is loose, and they sit down to pull it off. This is not a nice game, and something else is suggested. Dimple's mouth grows suddenly square; she wants that lizard's tail.