Never was Agassiz's power as a teacher, or the charm of his
personal presence more evident than in his first course of Lowell
Lectures. He was unfamiliar with the language, to the easy use of
which his two or three visits in England, where most of his
associates understood and spoke French, had by no means accustomed
him. He would often have been painfully embarrassed but for his own
simplicity of character. Thinking only of his subject and never of
himself, when a critical pause came, he patiently waited for the
missing word, and rarely failed to find a phrase which was
expressive if not technically correct. He often said afterward that
his sole preparation for these lectures consisted in shutting
himself up for hours and marshaling his vocabulary, passing in
review, that is, all the English words he could recall. As the
Lyells had prophesied, his foreign accent rather added a charm to
his address, and the pauses in which he seemed to ask the
forbearance of the audience, while he sought to translate his
thought for them, enlisted their sympathy. Their courtesy never
failed him. His skill in drawing with chalk on the blackboard was
also a great help both to him and to them. When his English was at
fault he could nevertheless explain his meaning by illustrations so
graphic that the spoken word was hardly missed. He said of himself
that he was no artist, and that his drawing was accurate simply
because the object existed in his mind so clearly. However this may
be, it was always pleasant to watch the effect of his drawings on
the audience. When showing, for instance, the correspondence of the
articulate type, as a whole, with the metamorphoses of the higher
insects, he would lead his listeners along the successive phases of
insect development, talking as he drew and drawing as he talked,
till suddenly the winged creature stood declared upon the
blackboard, almost as if it had burst then and there from the
chrysalis, and the growing interest of his hearers culminated in a
burst of delighted applause.
After the first lecture in Boston there was no doubt of his
success. He carried his audience captive. His treatment of the
animal kingdom on the broad basis of the comparative method, in
which the great types were shown in their relation to each other
and to the physical history of the world, was new to his hearers.
Agassiz had also the rare gift of divesting his subject of
technicalities and superfluous details. His special facts never
obscured the comprehensive outline, which they were intended to
fill in and illustrate.
Public-domain text, read in full here on John Shaqi.
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