Louis XIV and La Grande Mademoiselle, 1652-1693Barine, Arvède
History
Louis XIV and La Grande Mademoiselle, 1652-1693
Barine, Arvède
Louis XIV, King of France, 1638-1715; Montpensier, Anne-Marie-Louise d'Orléans, duchesse de, 1627-1693
Louis XIV. danced in the _Ballet des Arts_ three times; Mlles. de
Valliere, de Sevigne, and de Mortemart had a lively success in it; the
latter was on the eve of becoming Mme. de Montespan.[143] The accounts
of the representations of the new ballet alternate in the _Gazette_ with
the funeral ceremonies in honour of a daughter of the King and Queen,
who died at six weeks of age on December 30th.
Louis XIV. had wept over his loss with that superficial sensibility in
which he resembles, strange as it seems, the philosophers of the
seventeenth century. He could have given points to Diderot in regard to
the facility of pouring out torrents of tears, and he often astonished
the Court by his emotion. He deceived the Queen from morning till
evening, and he cried to see her weep when he quitted her. He brought
forth crocodile tears for the death of his father-in-law.[144] In a turn
of the hand, again like Diderot, he forgot his existence, and lost on
his account neither a step in the dance nor a _galant rendezvous_.
[Illustration: ="PLEASURES OF THE ISLAND OF ENCHANTMENT." SCENE ON THE
FIRST DAY OF THE PLAY, BEFORE THE KING AT VERSAILLES= From the engraving
by Israel Silvestre
]
To the ballet succeeded other "relaxations," and it is curious to see
the _Gazette_ taking the pains to explain that the King had well earned
a simple trip for pleasure (April 7, 1663): "This week the King, in
order to gain some relief from the continual application for the
establishing the felicity of his subjects, has enjoyed the diversion of
a little journey to Saint-Germain-en-Laye and to Versailles."
The mundane chronicles[145] falling into line, Louis XIV. saw his
"glory" as a great worker ascending into the clouds, together with his
"glory" as a man of war, and in one word as "universal hero." He could
not even exercise his musketeers without the _Gazette's_ issuing an
extra leaf upon the "admiration of all spectators."[146]
All France struck the same note. When he went to take possession of
Dunkerque,[147] he passed before a plaster Olympus, fabricated for the
occasion. "He witnessed Neptune, who respectfully lowered his trident;
the spirits of the Earth and Sea prostrated before this mighty
Prince"--that is to say, himself, and he permitted his official journal
to regale the country with these follies; it was clear in his eyes that
Neptune and his Court only did their duty. Every one was prepared to
deify him, and he received this homage with pleasure. This atmosphere of
worship was very harmful to a man born with much good sense and with
many superior parts. The brilliancy of his Court, for which he was
considered responsible, contributed also to the general dazzle.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account