Louis XIV.: Makers of History SeriesAbbott, John S. C. (John Stevens Cabot)
History
Louis XIV.: Makers of History Series
Abbott, John S. C. (John Stevens Cabot)
France -- History -- Louis XIV, 1643-1715; Louis XIV, King of France, 1638-1715
For succeeding weeks and months the court luxuriated in one continued
round of gayety and extravagance. Night after night the magnificent
saloons of the Louvre and the Tuileries resounded with music, while
proud lords and high-born dames trod the floors in the mazy dance, and
inflamed their passions with the most costly wines. It can not be
denied that a man who is trained from infancy amidst such scenes could
acquire elegance of manner which those engrossed in the useful and
ennobling employments of life rarely attain. Neither can it be denied
that this is as poor a school as can possibly be imagined to prepare
one wisely to administer the affairs of a nation of twenty millions of
people. In fact, Louis XIV. never dreamed of consulting the interests
of the people. It was his sole object to aggrandize himself by
promoting the splendor, the power, and the glory of the monarchy.
One does well to be angry when he reflects that, to maintain this
reckless and utterly useless extravagance of the king and the court,
the millions of the peasantry of France were compelled to live in mud
hovels, to wear the coarsest garb, to eat the plainest food, while
their wives and their daughters toiled barefooted in the fields. One
would think that guilty consciences would often be appalled by the
announcement, "Know thou that for all these things God will bring thee
into judgment?"
Though this revolting state of society was the slow growth of time,
and though no one there could have regarded this aristocratic
oppression as it is now estimated in the clearer light of the present
day, still these outrages, inflicted by the strong upon the weak, by
the rich upon the poor, merit the unmitigated condemnation of men, as
they have ever incurred the denunciations of God.
Cardinal Mazarin, more than any other man in France, was accountable
for the enormous luxury of the court, and the squalid misery of the
people. He knew better. He was professedly a disciple of Jesus Christ,
and yet a more thorough worldling could hardly have been in Christian
or in pagan lands. He was one of the most gigantic robbers of the poor
of which history gives any mention.
In the midst of these festivities, Mazarin decided to invite the court
to a grand ballet, which should transcend in splendor every thing
which Paris had witnessed before. To decorate the saloons, a large
amount of costly draperies were manufactured at Milan. In arranging
these tapestries, by some accident they took fire. The flames spread
rapidly, utterly destroying the room, with its paintings and its
magnificently frescoed roof. The fire was eventually extinguished, but
the shock was a death-blow to the cardinal. He was then in feeble
health. His attendants conveyed him from the blazing room to the
Chateau Mazarin.
Public-domain text, read in full here on John Shaqi.
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