Love: A Treatise on the Science of Sex-attraction: for the use of Physicians and Students of Medical JurisprudenceTalmey, Bernard Simon
Science
Love: A Treatise on the Science of Sex-attraction: for the use of Physicians and Students of Medical Jurisprudence
Talmey, Bernard Simon
Sex
Transvestism tends to accent the esthetic sensibility. The patient’s
experience of an increased comfort and well-being by the gratification
of the pronounced impulse of cross-dressing, is more akin to the
satisfaction of the artist, experienced by the successful expression
of a certain symbolism. Transvestism is more in harmony with the basal
esthetic demands. The patient harbors exalted ideas and is striving to
secure artistic enjoyment in the appreciation of the beautiful. The
attraction is in the mind and has nothing to do with the sex-organs.
Hence transvestism seldom celebrates orgies of lascivious and
voluptuous practices, as often found in homosexuality. If sensuous
caressing does take place, it is with a person of the other sex. For
the physical part of the sex activity is perfectly normal.
The following five cases of transvestism in men[BF] will illustrate
these points:
The first patient was very delicate all the time up to four years
of age. His father died when he was four years old, and the boy was
brought up by his mother. As the youngest living child (Nesthäkchen,
nestling) he was rather spoiled by her. He slept with his mother
until he was fourteen years old. The patient’s looks were rather
girlish. He always wore girl’s shoes, on account of his high instep.
Up to twelve years of age the patient played with girls, made dolls’
dresses, cooked in girls’ cooking stoves, etc. The patient’s sister
was a dress-maker and often used the patient as a model to drape or to
try on dresses. Otherwise the patient was never seduced by anyone to
irregular practices.
[Illustration: CUT XLIII.
A characteristic picture of patient No. 1; posing in imitation of the
celebrated painting “Psyche in Bath,” dressed in stockinet.]
Public-domain text, read in full here on John Shaqi.
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