She was not, however, to escape the cloister after all, for to a Paris nunnery she was consigned when her Cardinal uncle had set eyes on her. "Let her have a year or two there," was his verdict, "and, who knows, she may blossom into a beauty yet. At any rate she can put on flesh and not be the scarecrow she is." And thus, while her more favoured sisters were revelling in the gaieties of Court life, Marie was sent to tell her beads and to spend Spartan days among the nuns. Nearly two years passed before Mazarin expressed a wish to see his ugly niece again; and it was indeed a very different Marie who now made her curtsy to him. Gone were the angular figure, the awkward movements, the sallow face, the slow wits. Time and the healthy life of the cloisters had done their work well. What the Cardinal now saw was a girl of seventeen, of exquisitely modelled figure, graceful and self-possessed; a face piquant and full of animation, illuminated by a pair of glorious dark eyes, and with a dazzling smile which revealed the prettiest teeth in France. Above all, and what delighted the Cardinal most, she had now a sprightly wit, and a quite brilliant gift of conversation. It was thus a smiling and gratified Cardinal who gave greeting to his niece, now as fair as her sisters and more fascinating than any of them. There was no doubt that he could find a high-placed husband for her, and thus--for this was, in fact, his motive for rescuing his pretty nieces from their obscurity--make his position secure by powerful family alliances. It was not long before Mazarin fixed on a suitor in the person of Armande de la Porte, son of the Marquis de la Meilleraye, one of the most powerful nobles in France. But alas for his scheming! Armande's heart had already been caught while Marie was reciting her matins and vespers: He had lost it utterly to her beautiful sister, Hortense; he vowed that he would marry no other, and that if Hortense could not be his wife he would prefer to die. Thus Marie was rescued from a union which brought her sister so much misery in later years, and for a time she was condemned to spend unhappy months with her mother at the Louvre. To this period of her life Marie Mancini could never look back without a shudder. "My mother," she says, "who, I think, had always hated me, was more unbearable than ever. She treated me, although I was no longer ugly, with the utmost aversion and cruelty. My sisters went to Court and were fussed and fêted. I was kept always at home, in our miserable lodgings, an unhappy Cinderella."