Love After Marriage; and Other Stories of the HeartHentz, Caroline Lee
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Love After Marriage; and Other Stories of the Heart
Hentz, Caroline Lee
Fiction; Short stories, American
"I have been something of an egotist, to be sure, my little girl, but
I wanted to show my dear young friend here how much might depend upon
a rainy evening. Life is not made all of sunshine. The happiest and
most prosperous must have their seasons of gloom and darkness, and woe
be to those from whose souls no rays of brightness emanate to gild
those darkened hours. I bless the God of the rain as well as the
sunshine. I can read His mercy and His love as well in the tempest,
whose wings obscure the visible glories of His creation, as in the
splendour of the rising sun, or the soft dews that descend after his
setting radiance. I began with a metaphor. I said a rainbow was drawn
on the clouds that lowered on that eventful day, and that it still
continued to shine with undiminished beauty. Woman, my children, was
sent by God to be the rainbow of man's darker destiny. From the
glowing red, emblematic of that love which warms and gladdens his
existence, to the violet melting into the blue of heaven, symbolical
of the faith which links him to a purer world, her blending virtues,
mingling with each other in beautiful harmony, are a token of God's
mercy here, and an earnest of future blessings in those regions where
no _rainy evenings_ ever come to obscure the brightness of eternal
day."
THREE SCENES IN THE LIFE OF A BELLE.
There was a rushing to and fro in the chamber of Ellen Loring, a tread
of hurrying feet, a mingled hum of voices, an opening and shutting of
doors, as if some event of overwhelming importance agitated the
feelings, and moved the frames of every individual in the house. A
stranger, in the apartment below, might have imagined an individual
was dying, and that all were gathering round to offer the appliances
of love and sympathy. But Ellen Loring, the object of all this
commotion, was in all the bloom and beauty of health. She sat in a low
chair and in front of a large mirror, half-arrayed in the habiliments
of the ball-room, her head glowing with flowers, and streaming with
ringlets, her feet encased in silk cobweb and white satin, her face
flushed with excitement, her waist compressed into the smallest
possible compass, while the strongest fingers the household could
supply, were drawing together the last reluctant hook and eye, which
fastened the rich and airy mixture of satin blonde, that fell in
redundant folds round her slender person. "I am afraid, Ellen, your
dress is _rather_ too tight," said Mrs. Loring, who was superintending
the process with a keen and experienced eye; "you had better not wear
it, it may give you a consumption." "Ridiculous!" exclaimed Ellen, "it
feels perfectly loose and comfortable; I am sure it fits delightfully.
Look, Agnes," addressing a weary-looking girl who had been standing
more than half an hour over her, arranging her hair in the most
fashionable style. "Look, Agnes, is it not beautiful?"
Public-domain text, read in full here on John Shaqi.
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