Love After Marriage; and Other Stories of the HeartHentz, Caroline Lee
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Love After Marriage; and Other Stories of the Heart
Hentz, Caroline Lee
Fiction; Short stories, American
Thus died Ellen Loring--just one year from that night when Agnes
followed her retreating figure, with such a wistful gaze, as she left
her for the ball-room, exclaiming to herself, "Happy, beautiful
Ellen!" and Agnes now said within herself, even while she wept over
her clay-cold form, "Happy Ellen!" but with far different emotions;
for she now followed, with the eye of faith, her ascending spirit to
the regions of the blest, and saw her, in imagination, enter those
golden gates, which never will be closed against the humble and
penitent believer.
A few evenings after, a brilliant party was assembled in one of those
halls, where pleasure welcomes its votaries.--"Did you know that Ellen
Loring was dead?" observed some one to a beautiful girl, the very
counterpart of what Ellen once was. "Dead!" exclaimed the startled
beauty, for one moment alarmed into reflection; "I did not think she
would have died so soon. I am sorry you told me--it will throw a damp
over my spirits the whole evening--poor Ellen!" It was but a moment,
and the music breathed forth its joyous strains. She was led in haste
to the dance, and Ellen Loring was forgotten.
THE FATAL COSMETIC.
Charles Brown sat with Mr. Hall in a corner of the room, apart from
the rest of the company. Mr. Hall was a stranger, Charles the familiar
acquaintance of all present. The former evidently retained his seat
out of politeness to the latter for his eyes wandered continually to
the other side of the room, where a group of young ladies was gathered
round a piano, so closely as to conceal the musician to whom they were
apparently listening. The voice that accompanied the instrument was
weak and irregular, and the high tones excessively shrill and
disagreeable, yet the performer continued her songs with unwearied
patience, thinking the young gentlemen were turned into the very
stones that Orpheus changed into breathing things, to remain
insensible to her minstrelsy. There was one fair, blue-eyed girl, with
a very sweet countenance, who stood behind her chair and cast many a
mirthful glance towards Charles, while she urged the songstress to
continue at every pause, as if she were spell-bound by the melody.
Charles laughed, and kept time with his foot, but Mr. Hall bit his
lips, and a frown passed over his handsome and serious countenance.
"What a wretched state of society!" exclaimed he, "that admits, nay,
even demands such insincerity. Look at the ingenuous countenance of
that young girl--would you not expect from her sincerity and truth?
Yet, with what practical falsehood she encourages her companion in her
odious screeching!"
Public-domain text, read in full here on John Shaqi.
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