Love After Marriage; and Other Stories of the HeartHentz, Caroline Lee
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Love After Marriage; and Other Stories of the Heart
Hentz, Caroline Lee
Fiction; Short stories, American
Astor was too refined to bring her domestic troubles before her
guests. Mary, who was the only one necessarily initiated, was too
deeply implicated to repeat it, and the subject was dismissed. But
the impression remained on one mind, painful and ineffaceable.
Mr. Hall marked Margaret's conscious blush on her entrance, he had
heard the cries and sobs of poor Dinah, and was not ignorant of the
cause. He believed Margaret was aware of the fact--she, the true
offender. A pang, keen as cold steel can create, shot through his
heart at this conviction. He had thought her so pure, so true, so
holy, the very incarnation of his worshipped virtue--and now, to
sacrifice her principles for such a bauble--a bit of frail glass. He
could not remain in her presence, but, complaining of a headache,
suddenly retired, but not before he had cast a glance on Margaret, so
cold and freezing, it seemed to congeal her very soul.
"He believes me cowardly and false," thought she, for she divined what
was passing in his mind; and if ever she was tempted to be so, it was
in the hope of reinstating herself in his esteem. She had given her
promise to Mary, however, and it was not to be broken. Mary, whose
feelings were as evanescent as her principles were weak, soon forgot
the whole affair in the preparations of her approaching marriage with
Charles, an event which absorbed all her thoughts, as it involved all
her hopes of happiness.
Margaret finished her task, but the charm which had gilded the
occupation was fled. Mr. Hall seldom called, and when he did, he wore
all his original reserve. Margaret felt she had not deserved this
alienation, and tried to cheer herself with the conviction of her own
integrity; but her spirits were occasionally dejected, and the figure
of Truth, which had such a beaming outline, assumed the aspect of
utter despondency. Dissatisfied with her work, she at last swept her
brush over the design, and mingling Truth with the dark shades of the
back ground, gave up her office as an artist, declaring her sketches
completed. Mrs. Astor was enraptured with the whole, and said she
intended to reserve them for the night of Mary's wedding, when they
would burst upon the sight, in one grand _coup d'oeil_, in the full
blaze of chandeliers, bridal lamps, and nuptial ornaments. Margaret
was to officiate as one of the bridemaids, but she gave a reluctant
consent. She could not esteem Mary, and she shrunk from her flattery
and caresses with an instinctive loathing. She had once set her foot
on a flowery bank, that edged a beautiful stream. The turf trembled
and gave way, for it was hollow below, and Margaret narrowly escaped
death. She often shuddered at the recollection. With similar emotions
she turned from Mary Ellis's smiles and graces. There was beauty and
bloom on the surface, but hollowness and perhaps ruin beneath.
Public-domain text, read in full here on John Shaqi.
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