Great Britain -- History -- Medieval period, 1066-1485 -- Fiction; Man-woman relationships -- Fiction
So with Colgran and his rebels beating at the inner gate, Flavian of
Gambrevault took Yeoland to wife, and was married that same eve by
Father Julian in the castle chapel. There was pathetic cynicism in the
service, celebrating as it did the temporal blending of two bodies who
bade fair by their destinies to return speedily to dust. The chant might
have served as a requiem, or a dirge for the fall of the mighty. It was
a tragic scene, a solemn ceremony, attended by grim-faced men in plated
steel, by frightened women and sickly children. Famine, disease, and
death headed the procession, jigged with the torches, danced like
skeletons about a bier. Trumpets and cannon gave an epithalamium; bones
might have been scattered in lieu of flowers, and wounds espoused in
place of favours. For a marriage pageant war pointed to the grinning
corpses in the breach and the clotted ruins. It was such a ceremony
that might have appealed to a Stoic, or to a Marius brooding amid the
ruins of Carthage.
Peril chastens the brave, and death is as wine to the heart of the
saint. Even as the sky seems of purer crystal before a storm, so the
soul pinions to a more luminous heroism when the mortal tragedy of life
nears the "explicit." As the martyrs exulted in their spiritual
triumph, or as Pico of Mirandola beheld transcendent visions on his bed
of death, when the Golden Lilies of France waved into luckless Florence,
so Flavian and Yeoland his wife took to their hearts a true bridal
beauty.
When the door was closed on them that night, a mysterious cavern, a
spiritual shrine of gold, came down as from heaven to cover their souls.
They had no need of the subtleties of earth, of music and of colour, of
flowers, or scent, or song. They were the world, the sky, the sea, the
infinite. Imperishable atoms from the alembic of God, they fused soul
with soul, became as one fair gem that wakes a thousand lustres in its
sapphire unity. To such a festival bring no fauns and dryads, no lewd
and supple goddess, no Orphean flute. Rather, let Christ hold forth His
wounded hands, and let the wings of angels glimmer like snow over the
alchemy of souls.
Flavian knelt beside the bed and prayed. He had the girl’s hand in his,
and her dark hair swept in masses over the pillow, framing her spiritual
face as a dark cloud holds the moon. Her bed-gown was of the whitest
lace and linen, like foam bounding the violet coverlet that swept to her
bosom. The light from the single lamp burnt steadily in her great dark
eyes.
Flavian lifted up his face from the coverlet and looked long at her.
"Dear heart, have no fear of me," he said.
She smiled wonderfully, and read all the fine philosophy of his soul.
"God be thanked, you are a good man."
"Ah, child, you are so wonderful that I dare not touch you; I have such
grand awe in my heart that even your breath upon my face makes me bow
down as though an angel touched my forehead."
"All good and great love is of heaven."
Public-domain text, read in full here on John Shaqi.
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