Love and liberty : $b A thrilling narrative of the French Revolution of 1792Dumas, Alexandre
History
Love and liberty : $b A thrilling narrative of the French Revolution of 1792
Dumas, Alexandre
France -- History -- Revolution, 1789-1799 -- Fiction
Sixty drums lead the way, incessantly sounding, and a mass of armed
men surrounded the victim.
The reign of terror had begun, in truth. A Governmental order had
been issued, forbidding any citizen to show himself at a window;
and the infraction of such an order was, in itself, probably a
condemnation to death. The citizens were also forbidden to cross any
of the streets upon the line of march.
A strange effect was this procession.
The morning was lowering, cold, dead, and damp; and the noisy sixty
drums, purposely used to drown any cry that might be raised, led the
way for a hurried, half-disciplined, half-armed horde of armed men;
in their midst, a carriage, half-filled with two such as those who
formed the escort.
And this procession marched through a double row of steel—of pikes
and bayonets, held by silent men. At distances were squads of the
regulars, armed and prepared as for an action in the field.
A strange sight! Thousands of armed men—soldiers with cannon and
musket, prepared against a numerous foe; a swiftly passing crowd of
men, armed to the teeth, jealously guarding a carriage half-filled
with two such as they themselves were,—all against—what?
Sixty drums beating to drown—utter silence! Two hundred thousand men,
to keep order amongst—space! Armed men—and that was all!
On the line, not a human being to be seen beyond the serried lines
of armed men. Not a woman’s form for the eye to rest on—every window
blind, every street passed, a desert. Paris was a city of the dead.
Even the marketplaces were silent, and not even the voice of a child
was to be heard.
Cannon gaped at every street corner, the artillerymen holding lighted
matches; in a word, on all sides were to be seen evidences of
preparations to meet a formidable enemy—on not one was the shadow of
an enemy to be seen.
The King could scarcely be perceived though the forest of steel in
which he was lost. He wore a brown coat and a white waistcoat. His
hair was raised up already for the executioner’s hands.
So great was the noise created by the drums, that he could not hear
what the Abbé Edgeworth said, or even what he himself said to that
self-devoted gentleman.
Therefore he took the minister’s breviary, and opened it at those
particular psalms which he had learnt in his captivity, suited to
his situation. These he began to recite while the priest prayed
beside him.
It is said the expression of the two men-at-arms were those of
astonishment and admiration.
All these warlike preparations were met by the opposition of seven or
eight opponents.
The procession moved from the Temple up to the boulevards, the line
of which was kept by the procession, until it reached the place of
execution, on that spot which is now the Place de la Concorde. At
that point on the line of march which now lies between the Portes St.
Denis and St. Martin, occurred the one sign of any opposition to the
tragedy which was about to be completed.
Public-domain text, read in full here on John Shaqi.
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