Love and Life: An Old Story in Eighteenth Century CostumeYonge, Charlotte M. (Charlotte Mary)
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Love and Life: An Old Story in Eighteenth Century Costume
Yonge, Charlotte M. (Charlotte Mary)
English fiction -- 19th century
Taking his place opposite to her as Mr. Hargrave arranged them, he bowed
in silence to the clergyman, who, in a trembling voice, began the rite
which was to unite Amyas Belamour to Aurelia Delavie. He intended to
shorten the service, but his nervous terror and the obscurity of the
room made him stumble in finding the essential passages, and blunder in
dictating the vows, thus increasing the confusion and bewilderment of
poor little Aurelia. Somehow her one comfort was in the touch of the
hand that either clasped hers, or held the ring on her finger--a strong,
warm, tender, trustworthy hand, neither as white nor as soft as she
would have expected, but giving her a comfortable sense both of present
support and affection, and of identity with that eager one which had
sought to fondle and caress her. There was a certain tremor about
both, but hers was from bashful fright, his, from scarcely suppressed
eagerness.
The steward had a form of certificate ready for signature. When it was
presented to the bridegroom he put up his hand for a moment as if to
push back the shade, but, in dread of admitting even a feeble ray of
light, gave up the attempt, took the pen and wrote Amyas Belamour where
the clergyman pointed. Aurelia could hardly see what she was doing, and
knew she had written very badly. The lawyer and housekeeper followed as
witnesses; and the bridegroom, laying a fee of ten guineas on the desk,
took his bride by the hand and led her within the door whence he had
issued. It was instantly closed, and at the same moment she was enfolded
in a pair of rapturous arms, and held to a breast whose throbs wakened
response in her own, while passionate kisses rained on her face, mingled
with ecstatic whispers and murmurs of “Mine! mine! my own!”
On a knock at the door she was hastily released, and Mr. Hargrave said,
“Here are the certificates, sir.”--Mr. Belamour put one into her hand,
saying “Keep it always about you; never part with it. And now, my child,
after all the excitement you have gone through, you shall be subjected
to no more to-night. Fare you well, and blessings attend your dreams.”
Strange that while he was uttering this almost peremptory dismissal, she
should feel herself in a clinging grasp, most unwilling to let her go!
What did it all mean? Could she indeed be a wife, when here she was
alone treading the long dark stair, in looks, in habits, in externals,
still only the little governess of my Lady’s children! However, she had
hardly reached her room, before there was a knock at the door, and
the giggling, blushing entrance of Molly with “Please, ma’am, Madam
Belamour, I wishes you joy with all my heart. Please can’t I do nothing
for you? Shall I help you undress, or brush your hair?”
Public-domain text, read in full here on John Shaqi.
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