Love and Life: An Old Story in Eighteenth Century CostumeYonge, Charlotte M. (Charlotte Mary)
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Love and Life: An Old Story in Eighteenth Century Costume
Yonge, Charlotte M. (Charlotte Mary)
English fiction -- 19th century
One came forward and lifted up a sweet little pale face, but the other
two stood, each with a finger in the mouth, right across the threshold,
in a manner highly inconvenient to Aurelia, who was only in her stiff
stays and dimity petticoat, with a mass of hair hanging down below her
waist. She turned to them with arms out-stretched, but this put them
instantly to the rout, and they ran off as fast as their bare pink feet
could carry them, till one stumbled, and lay with her face down and her
plump legs kicking in the air. Aurelia caught her up, but the capture
produced a powerful yell, and out, all at once hurried into
the corridor, Mrs. Aylward, a tidy maid servant, a stout, buxom
countrywoman, and a rough girl, scarcely out of bed, but awake enough
to snatch the child out of the young lady’s arms, and carry her off.
The housekeeper began scolding vigorously all round, and Aurelia escaped
into her room, where she completed her toilette, looking out into a
garden below, laid out in the formal Dutch fashion, with walks and beds
centring in a fountain, the grass plats as sharply defined as possible,
and stiff yews and cypresses dotted at regular intervals or forming
straight alleys. She felt strange and shy, but the sunshine, the
cheerfulness, and the sight of the children, had reassured her, and when
she had said her morning prayer, she had lost the last night’s sense of
hopeless dreariness and unprotectedness. When another knock came,
she opened the door cheerfully, but there was a chill in meeting Mrs.
Aylward’s grave, cold face, and stiff salutation. “If you are ready,
madam,” she said, “I will show you to the south parlour, where the
children will eat with you.”
Aurelia ventured to ask about her baggage, and was told that it would be
forwarded from Brentford. Mrs. Aylward then led the way to a wide stone
staircase, with handsome carved balusters, leading down into the great
hall, with doors opening from all sides. All was perfectly empty, and so
still, that the sweep of the dresses, and the tap of the heels made an
echo; and the sunshine, streaming in at the large window, marked out
every one upon the floor, in light and shadow, and exactly repeated
the brown-shaded, yellow-framed medallions of painted glass upon the
pavement. There was something awful and oppressive in the entire absence
of all tokens of habitation, among those many closed doors.
One, however, at the foot of the stairs was opened by Mrs. Aylward. It
led to a sort of narrow lobby, with a sashed window above a low door,
opening on stone steps down to the terrace and garden. To the right was
an open door, giving admittance to a room hung with tapestry, with a
small carpet in the centre of the floor, and a table prepared for the
morning meal. There was a certain cheerfulness about it, though it was
bare of furniture; but there was an easy chair, a settee, a long
couch, a spinnet, and an embroidery frame, so that altogether it had
capabilities of being lived in.
Public-domain text, read in full here on John Shaqi.
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