Love and Life: An Old Story in Eighteenth Century CostumeYonge, Charlotte M. (Charlotte Mary)
General
Love and Life: An Old Story in Eighteenth Century Costume
Yonge, Charlotte M. (Charlotte Mary)
English fiction -- 19th century
“Here you will sit, madam, with the young ladies,” said Mrs. Aylward.
“They have a maid-servant who will wait on you, and if you require
anything, you will be pleased to speak to me. My Lady wishes you to take
charge of them, and likewise to execute the piece of embroidery you will
find in that frame, with the materials. This will be your apartment,
and you can take the young ladies into the garden and park, wherever you
please, except that they must not make a noise before the windows of the
other wing, which you will see closed with shutters, for those are Mr.
Belamour’s rooms.”
With these words Mrs. Aylward curtsied as if about to retire, Aurelia
held out her hand in entreaty. “Oh, cannot you stay with me?”
“No, madam, my office is the housekeeper’s,” was the stiff response.
“Molly will call me if you require my services. I think you said you
preferred bread and milk for breakfast. Dinner will be served at one.”
Mrs. Aylward retreated, leaving a chill on the heart of the lonely girl.
She was a clergyman’s widow, though with no pretensions to gentility,
and was a plain, conscientious, godly woman, but with the narrow
self-concentrated piety of the time, which seemed to ignore all the
active part of the duty to our neighbour. She had lived many years as
a faithful retainer to the Belamour family, and avoided perplexity by
minding no one’s business but her own, and that thoroughly. Naturally
reserved, and disapproving much that she saw around her, she had never
held it to be needful to do more than preserve her own integrity, and
the interests of her employers, and she made it a principle to be in
no wise concerned in family affairs, and to hold aloof from perilous
confidences.
Thus Aurelia was left to herself, till three bowls of milk were borne in
by Molly, who was by no means loth to speak.
“The little misses will be down directly, ma’am,” she said, “that is,
two on ‘em. The little one, she won’t leave Jenny Bowles, but Dame
Wheatfield, she’ll bring down the other two. You see, ma’am, they
be only just taken home from being out at nurse, and don’t know one
another, nor the place, and a pretty handful we shall have of ‘em.”
Here came a call for Molly, and the girl with a petulant exclamation,
sped away, leaving Aurelia to the society of the tapestry. It was of
that set of Gobelin work which represents the four elements personified
by their goddesses, and Aurelia’s mythology, founded on Fenelon, was
just sufficient to enable her to recognise the forge of Vulcan and the
car [chariot--D.L.] of Venus. Then she looked at the work prepared for
her, a creamy piece of white satin, and a most elaborate pattern of
knots of roses, lilacs, hyacinths, and laburnums, at which her heart
sank within her. However, at that moment the stout woman she had seen in
the morning appeared at the open door with a little girl in each hand,
both in little round muslin caps, long white frocks, and blue sashes.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account